Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.
Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring actress and Ibo's German girlfriend, finds she's pregnant. Ibo is uncertain about fatherhood - compounded by his father's disowning him for getting a German girl pregnant - so Titzie sends him packing. He makes attempts at getting it right, but as the birth approaches, he's still not ready. In the background are three thugs in search of good tripe soup and a Capulet-Montegue feud between the kebab joint and a Greek taverna across the street. Can Ibo be the glove upon that hand?
A man planning to commit suicide hires a taxi driver to take him to his jumping-off point.
Alex, a Greek Orthodox schoolteacher, falls for Lebanese Muslim lawyer, Eve. The relationship is forbidden by both families, and thus the emotional dilemma of 'Alex and Eve' is created.
Living in the liminal space between worlds, two young women find themselves falling in love for the first time, while also being forced to unexpectedly confront their families, each complicated by legacies of love and loss.
Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?
A Muslim cop goes undercover at his estranged father's mosque while his daughter hides her passion for a forbidden dance, uncovering a shocking family secret.
Director Mark Wexler embarks on a worldwide trek to investigate just what it means to grow old and what it could mean to really live forever. But whose advice should he take? Does 94-year-old exercise guru Jack LaLanne have all the answers, or does Buster, a 101-year-old chain-smoking, beer-drinking marathoner? What about futurist Ray Kurzweil, a laughter yoga expert, or an elder porn star? Wexler explores the viewpoints of delightfully unusual characters alongside those of health, fitness and life-extension experts in this engaging new documentary, which challenges our notions of youth and aging with comic poignancy. Begun as a study in life-extension, How To Live Forever evolves into a thought-provoking examination of what truly gives life meaning.
An exploration of immigration in Britain over the half century since Conservative MP Enoch Powell made his controversial speech. Issues surrounding race, religion, integration and multiculturalism are examined.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
The 50+ time award-winning short film, MONDAY, follows a day in the life of a young hustler who ‘code-switches’ through disparate cliques while being everyone's one-stop-shop for all things illicit. His reasons for the hustle aren’t apparent, but as he maneuvers through his neighborhood, he’ll confront racism as well as question the morality of his occupation.
Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).
Under the Trump administration, USA is a deeply divided country. One side feeds populism and religious rectitude in a monochromatic landscape, painted white, lamenting for a past that never will return. The other side fuels diversity and multiculturalism, a biased vision of a progressive future, quite unlikely. Both sides are constantly confronted, without listening to each other. Only a few reasonable people gather to change this potentially dangerous situation.
An indecisive young woman with an abnormal devotion to her father can't decide on which of her two boyfriends she should end her relationship with.
Members of a Malaysian band must overcome their racial, religious and cultural differences to overcome the difficulties of love, relationships and day to day issues in modern day Malaysia.
Ida is a woman who was adopted to Finland from Africa as a child. Ida is an unemployed seamstress approaching her thirties and still lives at home with her activist mother Kati. Kati wants to fix her daughter's life and offers her a job at her work. Encouraged by her new friend Ville, Ida, however, sets out for Berlin in order to find a job and to prove to her mother that she can manage on her own. Meanwhile, Kati has been told that she is seriously ill, but she does not want to mention it to Ida in fear of standing in the way of her daughter's struggle for independence. Ida wants to have a life of her own, but what will she have left at the end of the day?
Multicultural version of the Shakespearean tale Twelth Night, Made in modern day society featuring Anglo-Indian cast.
After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.
Daily drama centring on a number of multiracial and multi-generational families in modern Singapore.
Centering around the lives of pre-teen Hispanic twins named Maya and Miguel Santos and their friends, the program is aimed at promoting multiculturalism and education in general. It is geared to the 5-9 age range. Part of the dialogue in each episode in the English version is in Spanish but only individual words or phrases which are explained in English.
Ghostwriter is an American television program created by Liz Nealon and produced by the Children's Television Workshop and BBC One. It began airing on PBS on October 4, 1992, and the final episode aired on February 13, 1995. The series revolves around a close knit circle of friends from Brooklyn who solve neighborhood crimes and mysteries as a team of young detectives with the help of an invisible ghost named Ghostwriter. Ghostwriter can communicate with the kids only by manipulating whatever text and letters he can find and using them to form words and sentences. The series was filmed on location in Fort Greene, Brooklyn.
A new academy school in a Yorkshire mill town merges the lives and cultures of the largely divided white and Asian community
Türkisch für Anfänger is a critically acclaimed German television comedy-drama series, which premiered on March 14, 2006 on Das Erste. It was created by Bora Dağtekin and produced by Hoffmann & Voges Ent. The show focuses on the German-Turkish stepfamily Schneider-Öztürk, their everyday lives and particularly on the eldest daughter Lena, who narrates the show. During the show's run of 52 episodes, topics covered included both typical problems of teenagers and cross-cultural experiences. Due to popular demand, the crew shot a third season consisting of 16 episodes, which were aired in Fall 2008. The show was also successful on foreign markets and got sold to and broadcast in more than 70 countries.
The Puzzle Place is an American children's television series produced by KCET in Los Angeles, California and Lancit Media in New York City, New York. It premiered on the Public Broadcasting Service on January 16, 1995, and ran for about four years, airing its final episode on December 4, 1998. Reruns were continued until March 31, 2000. The show followed a multi-ethnic group of kids from different parts of the United States who hung out at "the Puzzle Place", which is a teen hangout themed around jigsaw puzzle pieces. In each episode the characters were confronted with an everyday conflict usually encountered in childhood and even early teenagerdom, such as making moral decisions, sharing, racism, sexism, etc.
Over six episodes, Maisonneuve looks at the repercussions flowing from the arrest of 11 students at Montreal’s Collège de Maisonneuve as they prepared to join the ranks of the Islamic State in Syria. From the initial shock to a gradual opening for dialogue, the series follows the paths of six exceptional young people who share their points of view. Through their eyes, Maisonneuve highlights both the importance and the fragility of living together in harmony in Quebec.
Zainab Salb, the Iraqi-American founder of Women for Women International, travels far and wide to hear people whose lives are directly affected by complex issues of class, gender, ethnicity, and belief. In each place she visits—from France to India, from Mexico to Thailand—our shared humanity is revealed.
The world's only Human Panda, Eddie Huang, takes us on a hilarious journey exploring race, identity, multiculturalism, and his irritable bowel syndrome through food.
