Centre Pompidou

Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

Paris, at the beginning of the 21st century. Edouard is a painter, Charles is a poet. The two artists are friends, but their adverse circumstances begin to weigh on them. Gulcan, a foreigner, suddenly appears. He has an idea.

Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.

A film commissioned by the Centre Pompidou, where the director captures moments of his daily life and of his relatives.

By her intelligence and her avant-gardism, Gabriële Buffet-Picabia influenced the revolution of the modern art operated by her husband, the painter Francis Picabia, and their friends (Apollinaire, Duchamp...). The fascinating portrait, in the first person, of an inspirer who has long remained in the shadows.

In the form of a fiction, Naomi Kawase delivers a self-portrait which is also a re-crossing of her earlier films. The old city of Nara, the first capital of Japan where Naomi Kawase is from and where she still lives, opens up a reverie where past, present and future meet. In its winding streets mingle the "Haré" of days of celebration and ceremony and the "Ké" of everyday life.

A lyric documentary about home, time, memory and mortality, written by Terence Davies and realised posthumously by the PASSING TIME team, produced for the Centre Pompidou's complete retrospective.

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

A day in the life of Rick Linklater, taking in a conference call with some young studio executives and a session with a psychologist.

Report from the second free expression festival organized at the American Cultural Center, Boulevard Raspail, in May 1965. The shows, all happenings inspired by ""théâtre panique/ the panic theater", includes Fernando Arrabal, Roland Topor and Alejandro Jodorowsky.

Where are you, Tariq Teguia? is part of the series of short films commissioned by the Centre Pompidou, which asks invited filmmakers to create a free-form film to answer this question about the future, its desires, its projects! Where are you now, Tariq Teguia? is less a self-portrait - from Thessaloniki to Algiers, Lisbon or Beirut - than an attempt to escape it.

Alfred Brendel, one of the greatest of all pianists, plays and reflects on Franz Schubert’s last three piano sonatas. As he points out, Schubert can’t have known that he was soon to die, so they probably do not embody the air of resignation and finality future generations have sentimentally insisted they bear. They were however long neglected, all but forgotten, and only in more recent times have they come to be treasured and performed. The repose and wisdom of the maestro, together with the patient observation of one who is no stranger to the idea of the irrevocably lost, of the erasures of history, and of the value of fragile objects passed carefully from generation to generation, is a joy.

A dazzling, inventive, and rarely-screened fairy tale from the feminist artist.

Making a film about the choreographer Jérôme Bel means embarking on a paradoxical project: how do you direct the anti-director? There’s a risk of seeing your film turn against itself.

Infinite Loop. "Filmed during a flight to Mont-Blanc, this summit adventure offers us a rare point of view of many peaks threatened by the disappearance of the ice which keeps them in balance. Carried away by the turbulence of the winds which prevent a uniform trajectory so close to the cliffs, the camera films according to the kinetic energy of the movements of the plane. The images do not reflect well what the heart and the imagination combine as energy to accommodate the vastness of sight and the magic of flight. The inability to see the mountain seems to be overcome in the experience. But the images I bring back tell that this challenge of technique against nature is swayed on all sides by the violence of the lurking danger." –JP

Viswanadhan, the Indian painter, goes back to the various places he filmed 30 years ago all around India for his documentary series about the Elements.

A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou