Regione Autonoma della Sardegna

In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.

The story of Mary is reinvented, no longer a spectator but a courageous architect of her own existence.

Cagliari in the 1940s is a big city for those who come from a small village. Annetta arrives in the days befpre Italy enters WWII and the Allies begin bombing the city. She's a 25-year old woman, always dressed in black, solitary and quiet, typical of the beauty of those from the most sparse areas of Sardegna.

'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.

This is the story of a father and son who become close when it’s already too late.

Alberto and Vittoria, two young lovers, live a quiet life despite being part of a group of guys who make ends meet by committing thefts, muggings, robberies and having fun in pubs, restaurants and pizzerias, not disdaining the joint. The existence of the group will, however, be upset by the arrival in the city of Monsieur LeBlanc, a mysterious and disturbing character who lives and moves continuously escorted by Jhon, a tough and ruthless bodyguard. It will thus be a succession of criminal actions and events that, however, do not prevent a happy evolution of the situations...

Princesa is a young Nigerian woman who arrived in Sardinia as a victim of human trafficking. There is a syncretism on the island, between the beliefs of a primitive animism, traditional Christianity and the more recent faith of the Nigerian Evangelical church. Princesa's face reflects an inner world dominated by fear, the break with her own land, and the desire to make good in a new one. Footage shot during a Nigerian funeral rite and a sequence from a Nollywood drama both contain biographical traces of the lead character. Princesa has made a choice, but she is not yet free.

A collective work achieved by dismantling and reshaping the artwork by artists Luca Carboni, Alberto Diana, Riccardo Giacconi, Alessandro Penta, Vittoria Soddu, and Carolina Valencia, realized for the “REMIX” project. The result is a new visionary, heterogeneous and highly contemporary artwork.

A hundred years of images researched and found, Fragments of film, family reels, pixels. A martyr saint, a warrior. Saint Efisio, an icon who moves the people. A holiday, a rite which repeats outside of time and brings with it the masks of dominations past and present, of an island; Sardinia. What escapes? What remains? Question and answer is the foundation of editing And renews the past in another past. In this encounter of deferred glances, the holy day is renewed again in memory and in dream, far from known places.