Film about a couple of which the man is confronted for the umpteenth time with an initiative by his wife to make their sex life a little more exciting: a ribbed condom. He tells his daughter the condom is a sluikrups (a fake caterpillar). But the consequences of this white lie confront him with his sexual shortcomings.
Just your ordinary video store around the corner: A woman enters, grabs a videotape and goes to the counter. She pulls a gun and asks for money. "Quick, quick, quick!" The cashier looks anxious and hands over the money. But just when she turns around to walk away, the cashier pulls a shotgun and fires. Is it for real? Apparently not, because someone shouts: Stop! and we suddenly find ourselves on a film set. The director seems to disagree however with the decision to stop shooting. She reflects on the situation. Then, just few moments later, the director is lying in bed. Was the film set real? Was it fiction?
The Dutch Roos and the Turkish Rana are two adolescent bosom friends who divulge all their secrets to each other in a diary. Whereas the philandering Roos is more interested in boys than in school, the reserved Rana tries to make the best of her study. The girls are very different, but share the desire to become famous, as well as the fact that at home nobody understands them. Roos' single mother is working all the time and Rana is completely fed up with her mother's traditional upbringing. When Rana's brother reads a passage from the girlfriends' diary to his mother, the situation escalates. Rana is put under house arrest and is no longer allowed to associate with Roos. For the girls, this is the limit: they take the first train to Turkey. The long journey becomes one great adventure, which not only puts their friendship to the test, but also brings about great changes on the home front.
The lessons of a driving instructor are filmed in documentary style from the back seat of the training car. The rear-view mirrors reflect the faces of the people in the front very well. The instructor is never complimentary to his pupils and always makes the same nasty jokes. The camera keeps close to the dour man. But when at the end of the day he knocks down a boy, his frame of mind is turned topsy-turvy.
