The Legend of Blood Castle 1973
Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.
Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.
While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.
Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.
A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.
An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.
An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.
A short documentary about the spanish town of Tomelloso and the hat the villagers use to wear
In 1963, the businessman Juan Huarte Beaumont, art patron, collector and founder of X Films, a film production company based in Madrid, invited the Basque artists Nestor Basterretxea and Jorge Oteiza to make a promotional short about his companies. Certain conditions were attached to the commission: the artists were each to present finished scripts without any contact with each other about them. Huarte chose Basterretxea's script, and Basterretxea directed the film, which was given the title 'Operación H' in postproduction.
Avant-garde analog animation techniques in stark black and white dramatize the effect of white men’s violence on an African jungle.