British Film Institute Production Board

A tragi-comic boat movie in which Beauty and The Beast live out their own particular fairytales.

This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.

A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.

Song tells the story of the women who worked in Victorian London's clothing sweatshops, eschewing a conventional narrative in favour of a series of still photographs and acted reconstructions to show that this story has been rewritten/written-over many times before.

A series of non-dramatic tableaux representing scenes from De Sade's novel.

The idyllic, rural past of a Suffolk village comes to life through the memories of an old man who tends a country graveyard.

A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire. His loaded gun is left pointing precariously at him and he is faced with imminent death.

“Film questions whether the encouragement of very low paid jobs and schemes - both in general and specifically how they function in the area affected by the closure of the Consett steelworks in 1980 - is a sufficiently visionary response to the question of survival in post-industrial Britain. Local people talk about their experiences, an escapologist performs and a drag act sings. Plus drama sequence in which Bill tells Rose that making a fortune is easy.” - BFI.

Animated retelling of the story of Noah's Ark by political cartoonist Abu.

Poplar's long tradition of political and social activism is on show in this community film. The East London district has been home to both grassroots and high-profile radicals, from social reformer George Lansbury in the 1920s to the contemporary Teviot Festival Committee. This film was made by Liberation Films, a non-profit company which grew from a group of anti-Vietnam War activists.

A girl takes her camera along to a rocky beach, but quickly becomes fascinated with a far stranger mechanical contraption that she finds there.

Cait, who has lost her boyfriend Marvin to another woman, sets herself a number of rituals to help overcome her loss.

Anna follows her absent Mother on her nightly ritual, as she walks round the family house, turning the house lamps on one by one. In the course of the lamp walk, Anna talks about being afraid of the dark and of the secrets that all families and lovers keep from one another.

Unemployed Anthony announces he is joining the police, much to the horror of his girlfriend and friends.

European emigre Tanya moves to London to work as a family au pair. Still grieving for her recently deceased father and rejected by an old friend, Tanya draws closer to her employer's husband. The sights and sounds of the Capital at Christmas form a deceptively romantic backdrop, for this brief meditation on loneliness and love.

A rich and challenging account of the experiences of a German Jewish musician who settled in Britain to escape Nazi persecution. Two of his friends are being sued by a former SS Kommandant, who denies their accusation that he was responsible for the genocide of 300 Belgians. Documentary interviews and archive footage merge with dramatised scenes to create a new way of representing history and memory.

An elegant film about one man's fears and fantasies regarding HIV testing.

Inspired by Virginia Woolf, a young writer worries that marriage will hinder her literary ambitions. The film includes extracts from Virginia Woolf's novel To the Lighthouse and her essay Professions for Women, both read by feminist filmmaker and theorist Laura Mulvey.

An anti-short short. On three occassions a man overhears a car accident while relaxing in his room. He reacts with less and less concern to each crash.

Traces the role of women in British television, from 1946 to 1997.