Nanyang Technological University

A jaded Office Lady’s perspective on life is thwarted when she runs into her ex, an Ah Beng giving out free hugs to strangers.

While avoiding a conversation with his mum, Elliot encounters a peculiar little creature in need of his assistance!

Tired of his turbulent family life, Adam seeks out an alternative arrangement in hopes of finding his place.

“Crossing Over” is a poetic and reflexive documentary that delves into the ways in which people grapple with mortality, connect with the deceased and give meaning to the spaces for the dead. Laying our eyes on burial grounds and places of commemoration and lending our ears to tales of rituals and traditions that surround death, the film brings both the filmmakers and viewers on a journey to “cross over” from the realm of the living to the land for the dead. The transition from graveyards to columbaria and the replacement of cemeteries with modern buildings prompts a much-needed rumination on the significance that the living bestows on those revered sites and rites, which in turn, defines their relationship with the spaces. The film does not and is unable to provide an answer to the meaning of death and space, but rather it strives to provoke contemplation and reflection on the dichotomy of "for the dead or for the living".

17-year-old Jason's world shifts when his estranged grandma moves in, disrupting his routine as he undergoes a journey of transformation.

As two old men fish by the jetty, they begin to remember their kampong days.

Interviewees in Singapore recount their haunted experiences at the rediscovered colonial bathroom atop Bukit Bulabu.

Set against the backdrop of an active volcano in Bali, In The Line Of Fire is a documentary that unravels an intertwining and pensive portrait of two of its inhabitants and their families.

A dementia stricken elderly man is disturbed by a mysterious chirping sound in his flat. With the emergence of a cricket, he finds himself in the forest where he finally embraces the shadows of his past.

A heartwarming tale of Lucas, a Singaporean boy who faces up to his fears in the neighbourhood playground, and reunites his neighbour Angie with her lost doll.

After cooking a scrumptious meal for her family, Ah Ma endlessly waits for them to arrive until she realizes her innocent mistake.

Karōshi (過労死) is a vast examination into the issue of overworking in contemporary society, the struggles that perpetuate the working class. All that is left is a lingering touch of urban loneliness. The film follows through with scenes of the everyday, the mundane, and the often overlooked aspects of daily life: drawing distinctions between an imagined utopia, and the true dystopian reality.

In some mystically-inclined literature from the Persianate world, individual letterforms, words, the reed pen of calligraphy and other calligraphic-related elements have been used as metaphors to explain the unexplainable secrets of the universe. This film is inspired by some of those metaphors and is a celebration of the beauty of the art of calligraphy.