Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments.
Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.
A wounded criminal and his dying partner take refuge at an old beachfront fortress. The owner of the fortress and his young wife, initially unwilling hosts, quickly experience their relationship with the criminal shift in a humorous and bizarre fashion.
When Watson reads from the newspaper there have been two similar murders near Whitechapel in a few days, Sherlock Holmes' sharp deductive is immediately stimulated to start its merciless method of elimination after observation of every apparently meaningless detail. He guesses right the victims must be street whores, and doesn't need long to work his way trough a pawn shop, an aristocratic family's stately home, a hospital and of course the potential suspects and (even unknowing) witnesses who are the cast of the gradually unraveled story of the murderer and his motive.
A lord returns to his manor with his new wife, to hear rumours that he had already secretly returned and had committed several murders. Has he lost his mind, or is something dark afoot ?
When Sally moves to London to pursue a modelling career, she moves in with Angela and Dee and discovers the world of the carefree bachelor girl in Swinging London. Over one weekend - filled with parties, blossoming friendships, and romantic encounters with Keith and Nikko (Klaus Kinski) - the vivacious girls learn about life's pleasures and pains.
Matter-transmitter sabotage leaves a British scientist (Bryant Halliday) disfigured and full of amps.
Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.
Five seamen and a passenger are intent on making the most of the 14 hours they will spend in London.
Jose, a mountain rancher in northern Argentina, meets and begins an affair with Eva, a beautful but mysterious woman who is the mistress of Simon, a local gangster from a nearby village, which complicates things more when Jose's son Mario returns and also begins a romantic relationship with Eva which brings out jealousy in Jose.
Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.
A married man and his young mistress suffer sadistic torture when Tom, Dick and Harry invade their penthouse.
