Chronicle of Good Hoodlums

Chronicle of Good Hoodlums 1984

5.80

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

1984

Benilde or the Virgin Mother

Benilde or the Virgin Mother 1975

7.10

A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.

1975

O Costa do Castelo

O Costa do Castelo 1943

7.40

André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.

1943

The Lion from Estrela

The Lion from Estrela 1947

7.10

Anastácio lives in Lisbon and is fanatic for Sporting, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.

1947

Lisbon, Anecdotal Chronicle

Lisbon, Anecdotal Chronicle 1930

6.10

Caleidoscope of documentary-like scenes and re-enacted episodes of a day in the life of a large port town – Lisbon, from the old district around Saint George's Castle down to the docks and the 'Sagres' on the Tagus river, to the new commercial districts.

1930

A Menina da Rádio

A Menina da Rádio 1944

7.80

Geninha and Fortunato are couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem willing to allow their marriage, nor the creation of a local radio for them.

1944

The Iron Cross

The Iron Cross 1968

10.00

Two neighboring villages fight over control of a stream to water their lands.

1968

The Wheat and the Tares

The Wheat and the Tares 1965

1

A sad and strong people living in the huge plains of Alentejo. Their endless struggle for bread, their nostalgic, bewitching songs and their daily toil to turn a dry, barren land into golden wheat fields.

1965

A Song of Lisbon

A Song of Lisbon 1933

8.50

Vasco is a medical student in Lisbon, supported by his rich aunts, whom he had falsely told he had already graduated. In fact, he devotes himself to a bohemian life, preferring the popular fairs and pretty women, especially Alice, a seamstress from the Castelinhos quarter, which rather upsets her ambitious father, tailor Caetano, who is familiar with Vasco's debts. After failing yet another final exam, he is surprised by his aunts' announcement that they will visit him in Lisbon to see his practice.

1933

As Ruínas no Interior

As Ruínas no Interior 1977

1

During World War II, during a misty morning, near a fishermen's village, four children come across two RAF pilots ejected from a plane that crashed in the sea.

1977

O Grande Elias

O Grande Elias 1950

7.80

When Mr. Elias discovers that his aunt, who lives in Brazil, comes to visit him, he decides to temporarily occupy the house of a wealthy neighbor who's away so that she doesn't discover that he's not as rich as he told her.

1950

The Ghosts of Alcacer-Kibir

The Ghosts of Alcacer-Kibir 1976

5.00

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

1976

A Luz vem do Alto

A Luz vem do Alto 1959

1

The struggle between two friends: one, symbolizes the deepest incredulity about religion; the other, priest Manuel, endures insults with stoic resignation, but doesn't give up on installing words of faith in the hope of recovering his soul for God. In a pathetic atmosphere, in which everyone defends the primacy of their beliefs, they feel surrounded by a bundle of circumstances linked to a secret of love, with an unexpected and disconcerting outcome ...

1959

Brandos Costumes

Brandos Costumes 1975

5.90

A portrait of the everyday life of a typical middle-class family in parallel with the fall of the "Estado Novo", the 48-year dictatorship led by Salazar. The daughters' conflicts and frustrations with their parents, their grandmother and their maid find an obvious echo in the country's collective events. The Carnation Revolution is about to explode.

1975

E o Tempo Passa

E o Tempo Passa 2011

4.00

Teresa is a soap-opera actress. Meeting again an old passion brings her back apparently lost memories, leading her to question not only her love life but also her career options. In the studio, the daily work is spiced by the frenzy group of younger actors. After all, they all ask the same question: where does happiness lies?

2011

Ribatejo

Ribatejo 1949

5.50

It is the story of two men in love with the same woman and fighting each other in and out of the arenas of bulls.

1949

The Hunt

The Hunt 1964

6.90

Two friends decide to go hunting but without guns, so that no accident will happen. As they stroll and talk, one of them falls into a hole in a hidden marshland. His friend runs away, and manages to gather a number of men that were in the vicinity. They form a human chain to pull the victim out, but their affliction mounts, as they have no strategy for doing it, and they can't understand each other.

1964

O Princípio da Sabedoria

O Princípio da Sabedoria 1976

1

In the gardens of a large village house belonging to a reclusive architect, a hand is found. In a sign placed at the gates of the property, the architect annouces he will return it to whoever proves to be the owner.

1976

Ala-Arriba!

Ala-Arriba! 1942

7.50

It focuses on maritime tragedy of the town and a forbidden love between Julha and João Moço, from different fisher castes, in a community where mixed-caste marriages were not allowed and dating without parent's assent was seen as a disgrace to the family, not only in respect to women, but also men.

1942