El santero 1956
Zoilo Cajigas y Sotomayor is a carver of wooden models of saints. Don Zoilo is one of Puerto Rico's best-known artisans and was 96 years old at the time of the filming. The film shows the elaborate process behind his craftsmanship.
Zoilo Cajigas y Sotomayor is a carver of wooden models of saints. Don Zoilo is one of Puerto Rico's best-known artisans and was 96 years old at the time of the filming. The film shows the elaborate process behind his craftsmanship.
A generational conflict is reflected in the old-fashioned ideas of the landowner, who imposes himself as a dominant figure in the political activity of the rural communities of Puerto Rico.
A young boy becomes intrigued by one of the characters in his village's celebration of its patron saint.
A group of kids in a poverty-stricken Puerto Rican rural town need money to purchase baseball uniforms for little league.
A melodramatic romance that tells the story of a community that shuns the arrival of a new neighbor.
Illustrates the dilemma of a sugarcane worker who has a child out of wedlock without his wife’s knowledge.
The exploitation of fisherman in Fajardo, Puerto Rico and how the laborers reached their economic independence through operative alliances.
Presents general shots of the central mountain range of Puerto Rico.
A man believes all the advertising he hears.
The location of the dividing line between two farms causes friction between two families.
The first documentary produced by the Division of Community Education (DivEdCo) featuring modern and experimental audio techniques with aerial shots of Puerto Rico showing its topography, educationally inserting the island within a world-wide historical context and highlighting its agricultural and social landscape.
Adapted from Mexico's "The Forgotten Village". It deals with the fight that develops from the superstitious and ignorant interpretation of a problem and its real, scientific solution.
Prize winner, Venice Festival 1956. The DivEdCo’s most important attempt to depict women’s rights in the context of modernization processes in Puerto Rico. Modesta leads a group of women in Barrio Sonadora, Guaynabo, in a strike against their husbands to demand their rights in a domestic context.
A historic adaptation of the life of José Pablo Morales who fought against an exploitative system of payment to day laborers during the reign of the Spanish governor General Juan de la Pezuela in mid nineteenth century Puerto Rico.
The story revolves around the sickness of Dona Julia’s daughter Maria. After a bad experience at the local hospital, she seeks cures through non-traditional medical care. When the potions that she administers fail to cure her daughter, she is persuaded to return the girl to the hospital where she is properly diagnosed and cured.
Field workers in Puerto Rico want to have a night school.
A family relationship drama about a strict father who wants to control his son, who in turn leaves his father's house and moves to the city.
It tells the story of a slave rebellion on a sugar plantation in the days leading up to the official abolition of slavery on the island on March 22, 1873.
The efforts of a community to build a bridge which would allow their children to go school during the rainy season.
In the community of Vega Alta, Puerto Rico, the main character, played by the esteemed comedian José Miguel Agrelot, buys a washing machine for his wife. However, the town has no electrical power. The movie’s depiction of the jíbaro as naive and comical created a rift among the DivEdCo personnel, especially its community organizers. It was censored by the government and shelved for many years.