Yes Docu

Raised in an orthodox home, Amos Dov Silver dreams of becoming Prime Minister. But when the State continues to shun him, he soon finds unexpected solace in the velvety smoke of Marijuana. Spreading his new Torah, he establishes an online community using a mobile app called "TeleGrass" that turns into the largest marketplace for drugs in Israel, raising Silver to Messiah status. Through exclusive footage of Silver, his family and his partners’ investigations, as well as secretly filmed footage of Silver in the Ukrainian prison, a polarizing portrayal of the man charged with heading a crime organization emerges. Champion of the people, or a lost soul corrupted by power?

Twenty years before the spectacle of Donald Trump, Benjamin Netanyahu already understood the political benefits of a toxic relationship with the media, and direct communication with the public. King Bibi explores Netanyahu's rise to power, relying solely on archival footage of his media performances over the years: from his days as a popular guest expert on American TV, through his public confession of adultery, and his mastery of the art of social media. From one studio to another, "Bibi" evolved from Israel's great political hope, to a controversial figure whom some perceive as Israel's savior, and others - as a cynical politician who will stop at nothing to retain his power.

A journey into the wedding night, where an ultra-Orthodox Jewish couple gets to know each other for the first time.

The film follows 10-year-old Oleg, whose life has been turned upside down by the ongoing war in East Ukraine. Oleg lives with his beloved grandmother Alexandra in a small house in a village on the frontline. Most people have left the village, but Oleg and Alexandra love their life together there and want to stay on and take care of each other. But life is becoming more and more difficult and the war does not seem to end.

Diana, Ilana, Rona, Shelly, Rucha and Liat openly speak about their life in prostitution: from the initial lure, through learning the rules, to survival strategies. They present stories of independence, resourcefulness, pain and trauma, expressing an extreme feminine and human experience. Michaela (pseudonym) – a young woman currently engaged in prostitution, sounds off on the struggle to survive, turning her cellphone camera into a weapon. The women challenge what is expected of them – to be ashamed and conceal themselves.

The film brings for the first time the story of the Israeli radio station Beit Shidir. With the establishment of the State of Israel and the immigration of Jews from Arab countries, the radio station was an active site for producing intelligence and political warfare against Arab countries in the 1940s, 1950s, and 1960s. From the outside, it was a radio station that broadcast news and songs in Arabic, whereas in practice, the broadcasts were used by the administration for propaganda, psychological warfare, changing public opinion in Arab countries, and activating agents through codes implanted within the broadcasts. Soon the broadcasts became the most terrifying threat that agitated the rulers of the Arab world, and the broadcasters in it were named by the competing radio stations ‘The Israel Broadcasting Corporation’s Propaganda Orchestra’.

Israel's most celebrated war photographer, Micha Bar-Am, unfolds his extraordinary archive of over half a million negatives. A life devoted to recording a conflict for the prestigious Magnum agency.

Ze'ev Revach, Israel's popular comedian, became trapped in the typecast that would later become his prison. From the prestigious stage of the Cameri Theater to film characters engraved in cultural memory, Revach struggled to find his place between worlds: between religion and secularism, between cult cinema and high art. Through rare footage and extraordinary testimonies, "Better Days" traces Revach's complex story—a cinematic journey of passion and tragedy, revealing a screen legend we never truly knew.

A musical biographical series bringing the story of Arik Einstein -- The man whose voice is a significant anchor in Israeli culture and his story is also Israel's story.

ASHCAN is a theatrical docu-fiction. It tells the story of the secret prison where the main Nazi leaders were incarcerated following the Allied victory on May 8, 1945 under U.S. authority at Mondorf-les-Bains, Luxembourg.

A young Jewish woman named Helena Citron is taken to Auschwitz, where she develops an unlikely romantic relationship with Franz Wunsch, a high-ranking SS officer. Thirty years later, a letter arrives from Wunsch's wife asking Helena to testify on Wunsch's behalf. Faced with an impossible decision, Helena must choose. Will she help the man who brutalized so many lives but saved hers?

The director's mother's last wish was to be buried as a Muslim in Omer, her Jewish hometown, where she lived for 20 years. During the process of separation from the mother, the film reveals the family intimacy, secrets, and dilemmas, raises serious questions about women's identity, nationality, and the meaning of home.

This documentary consists solely of footage taken by people who were at the Nova Music Festival when the massacre started on October 7th.

The film tells the story of how, 30 years ago, the divorce of a woman who went on to become a renowned author, and her husband, an esteemed rabbi, shook the religious city of Bnai Barak and affected the lives of their seven children. It follows a family divided between the two conflicting worlds of the Ultra-Orthodox and the secular. One of the couple's daughters embarks on a journey among the ghosts of her childhood, trying to reunite her fractured family and, finally, to start one of her own.

The unbelievable second career of Albert Speer: How did a man in charge of 12 million slaves become “the good Nazi”? A cautionary tale about his 1971 attempt to whitewash his past with a Hollywood adaptation of his wartime memoir, “Inside the Third Reich”.

“And I Was There” provides a distinctive and potent take on the Israeli-Palestinian conflict that feels divorced from larger political or cultural concerns. Instead, the film chronicles a small, surreal world detached from reality — a place where Palestinian homes were turned into soldiers’ party playgrounds — and a contemporary effort by those soldiers to make sense of their former selves.

At 75, Geula broke up with her husband Arik, 77. A contractor built a wall that divided their house in two. This intimate, funny, painful and surprising family journey reveals why it took them 55 years to break up.

With the aid of four actors in a rehearsal room, filmmaker Nur Fibak lays open the police investigation and court proceedings against the man who had molested her, revisiting the case as it unfolded from the moment she decided to seek justice. The film opens a unique window into the workings of the Israeli criminal justice system in sexual offense cases. Behind closed doors, during the cross-examination, everything is permitted, including asking invasive questions, doubting the woman on the witness stand, and forcing her—that same traumatized child, now grown up—to experience a second kind of abuse.

30 years after their emigration, Danni interviews his family and tries to learn their story to reconcile with the past.