Deserted 2022
Ingrid, an intelligent and beautiful 40-year old Western photojournalist, visits Sinai to finalise her photoshoot for her upcoming exhibition. She is kidnapped by terrorists and falls in love with one of the men.
Ingrid, an intelligent and beautiful 40-year old Western photojournalist, visits Sinai to finalise her photoshoot for her upcoming exhibition. She is kidnapped by terrorists and falls in love with one of the men.
A film about Maija Isola, the designer of Finland’s most beloved fabrics. Her bold designs, which include classics like Unikko, Kivet, Kaivo and Melooni, were essential in creating Marimekko’s lifestyle universe. The film shows the secrets to the success of Maija Isola’s fabrics, the values at the heart of Isola’s globetrotter lifestyle, and the legacy she left us. The film is narrated by Maija Isola, as well as her daughter Kristina Isola. It takes us close to Maija as a person, artist, thinker and visionary through her letters. We also hear Armi Ratia’s thoughts on Isola both as an employee and as a friend.
REFUGEE CONVERSATIONS / PAKOLAISKESKUSTELUJA is a 90-minute documentary film. Its themes are: refugees, racism, xenophobia, Islam, Christianity and compassion — or the lack of it. What is the meaning and role of these in Finland, a country which according to many studies is the happiest country in the world?
A short film about a little boy Otto, whose parents had promised him a dog for his tenth birthday - before they suddenly passed away. When Otto sees a falling star the evening before his birthday, he wishes upon it one more time, but realises then that the bright object is falling into the forest behind his grandma's house. When the hatch of the rocket opens, a little dog exits with the name Laika engraved on his collar. But knowing that his grandma is wary of dogs, the worried child stays in the forest with the dog.
Power of the People is a touching film that gives voice to poet Laura Eklund Nhaga, who is searching for the right way for her to have an impact. The possibilities and impossibilities of activism are countless, and none are indisputably more effective than the rest. But, she wonders, if one’s very existence as part of Western hegemony is in itself political, can activism truly be a choice, or is it simply the only way to be?