Vertigo

In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.

This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade.

Asja, a 45-year-old single woman living in Sarajevo, meets Zoran, a 46-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.

Miha, a poet whom no one takes seriously, earns his living by writing cheap advertising slogans. This outsider poet of the new age gets commissioned to write an ode to the famous Slovene poet Preseren, for the occasion of the national celebration, due to the 200th anniversary of Preseren's birth. Who was Preseren, what did he drink and what sort of woman did he like? A comedy can begin.

Going Our Way 2 follows the adventures of young scouts spending summer at a camp in the middle of the idyllic Slovene Alps. Because the heroes from the first film, Aleks, Jaka and Sleepyhead, are almost grown up now, the scout leader charges them with new responsibilities and assignments that also involve taking care of a group of mischievous 10-year-olds, which proves to be quite a feat. sequel of Going Our Way.

At the beginning of the World War I, Filip, a Serbian school director in the Serbian province, has been asked to immediately go to Belgrade to get war schedule. His wife Lea, Slovene, with no one to leave because the two of them recently arrived in the small town and no one really knows them. Azem, an Albanian, school attendance, gives Filip a promise (Besa) to watch the Lea and that nothing will happen. Lea and Azem, are forced to live together in an abandoned school. Their relationship changes during the time.

The lives of a wealthy married couple radically change in an instant. While the husband is in critical condition after an accident that occurred under strange circumstances, the wife tries to understand the situation and to salvage what she can… In this constricted, small-scale drama by a renowned Slovenian filmmaker, Pia Zemljič excels in the role of the resourceful wife.

A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.

Half-sisters from a small coastal town who were never that close are forced by circumstance to share a flat in Ljubljana.

After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.

Worker's quarters on Vida Pregarc Street, Ljubljana: a house originally built to accommodate construction workers has storeys, three entrances, and as a result of the privatization process, nineteen owners. The fates of its residents vary...

Ivan is released a day early from a treatment programme for alcoholics due to a doctors' strike. He returns to his wife Sonja and his sixteen year old son Robi. The first afternoon he spends at home is very pleasant. The next morning Sonja sends Ivan to a shop to get bread and milk. On the way back Ivan runs into Armando, his high school classmate, and through their conversation at a bar, Ivan finds out that long before Sonja became his wife, Armando spent a night with her. Ivan has his first drop of the hard stuff...Kruh in mleko is a bitter-sweet tale of loneliness, estrangement and the glowing embers of love, where there once used to be a fire.

Tanya is 35, with a successful career. Her husband Mare is an architect. One Friday, Tanya comes home late at night. Mare confronts her and they exchange some edgy words; Mare is clearly jealous, he loses control of himself and slaps her in the face. Obviously, it is not the first such incident. Tanya locks herself in the bathroom. They continue their conversation over the locked doors. Mare calms down, but when Tanya comes from the bathroom, he becomes abusive again. The noise wakes up a neighbor who reports them to the police. The police arrive and the couple calms down. When the police leave, the couple resorts to psychological abuse. What follows is the night of hateful and skillful twisting of words that unveils, step by step, all the dark secrets of their relationship. Behind a facade of a successful couple, there are suppressed feelings of inferiority, weaknesses, deceit, frustration and traumas from their youth.

Hannah and Sam are young, have a house, a lovely daughter, Anja, and well paid work. However, their comfortable family routine is thrown into emotional turmoil. When Hannah realizes Sam has an affair with a young female colleague, she packs her suitcase and returns to her mother. She reunites with her ex-flame Leo, from her student years hoping it will help her to move on, but discovers that Leo is a philanderer. Hannah makes a hard choice.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

Guti (35, Slovenian) and Sig (50, Icelander) wake up naked and handcuffed to one another on a riverbank near Ljubljana. Sig suffers from memory loss, while Guti recalls a fight with skinheads Sid drunkenly participated in and Guti tried peacefully to intervene in. Sig has no passport or any clue about his identity—the skinheads have taken everything he owned. Guti is trying to build a new home for himself on a river raft after losing his house to the bank and his life to his ex-wife. He introduces Sig to his friends—suburban misfits, who remind Sig of a legend of the hidden people.

Peter is in his early forties and until recently he worked in a factory, but after Slovenia's integration into the European Union, the factory closed down and Peter and his colleagues have been made redundant. Slowly but surely, he is losing self-confidence and self-esteem.

Young mothers and sometimes also their daughters have vastly travelled from Vipavska valley to Egypt in 20th century. Their families were poor and needed money. So they went to Alexandria and worked as wet nurses and helpers for wealthier people. They often left their own kids alone with their fathers, only taking care for them with gifts and money. Many never returned and even if they did, they were not well accepted.