New Danish Screen

A brother odyssey set in a workers' environment during a cold winter. We follow two brothers - their routines, habits and rituals - and a violent feud that erupts between them and another family.

Denmark, in the near future. One year after a major bomb attack in Copenhagen, political radicalization has intensified and ethnic tensions are increasing. As next year's parliamentary elections approach, in which nationalist leader Martin Nordahl hopes for a landslide victory, Zakaria becomes involved in a radical organization, where he befriends Ali.

A story about three people chasing life and each other. Laura is on her way to a porn film casting. Niklas is trying to take care of two men with Down’s Syndrome, and Frederik is out to gain respect as a hooligan. In glimpses and fragments of past and present, we follow the three characters on a journey full of taboos and desires.

An eye-opening film about numbness in the age of social media. The diagnosis is alarming, but it is made with understated humour and energy by director David Borenstein, himself a screen zombie in digital rehab.

Danish journalist Mads Brügger goes undercover as a Liberian Ambassador to embark on a dangerous yet hysterical journey to uncover the blood diamond trade in Africa.

A young Iranian man is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.

Maja, a Danish actress past her prime, falls in love with Leah, a young Jewish academic from London. Leah suffers a mysterious seizure, and Maja returns with her to London. There, she meets Leah’s mother, an overbearing woman who could hold dark secrets.

Kesse is a third generation fisherman, living in a small coastal town in Northern Jutland. Life trudges along without surprises, but all this is about to change. The fishing industry is hit by financial crisis and the small fishing boats are swiftly put out of competition by big corporations. In desperation, Kesse tries to find a way out of his hopeless plight and has to resort to dishonest means, on top of having to fire his best friend and lone employee. As if this wasn't enough, he gets an unwelcome guest on-board in the form of marine biologist Gerd from Copenhagen, sent to study the fishing. Søren Balle's debut feature is a funny and touching film about love, friendship and the difficult art of dealing with change.

In rural Afghanistan, people are storytellers who make up and tell each other tales of mystery and imagination to explain the world in which they live. The shepherd children own the mountains and, although no adults are around, they know the rules; they know that boys and girls are not allowed to be together. The boys practice with their slings to fight wolves. The girls smoke secretly and play at getting married, dreaming of finding a husband soon. They gossip about Sediqa; she’s eleven years old and an outsider. The girls think she is cursed. Qodrat, also eleven years old, becomes the subject of gossip when his mother remarries an old man with two wives. Qodrat roams alone in the most isolated parts of the mountains, where he meets Sediqa and they become friends.

When the critically acclaimed, tough and coming of age actress Thea Barfoed ends her rehab, she confronts a hard choice. During her heavy drinking period she divorced and lost custody of her two boys. Now she wants them to be a part of her life again.

A coming-of-age story about a 14-year-old girl who works at a car mechanic's and hangs out with her friends. She challenges boundaries in her search for identity, but her behaviour has repercussions that force her to acknowledge new aspects of who she is.

Cannon Arm and the Arcade Quest is a deadly serious comedy, set in the world of arcade games and world records. It tells the story about the friendship between a group of unlikely heroes and peculiar world class gamers, who - on a backdrop of loss and longing - has set out to do what no one has ever done before: play the arcade game Gyruss non stop for 100 hours.

Marie is juggling a demanding job as a doctor in oncology and her hectic family life. When she finds out she's pregnant with her third child, she handles it with her customary efficiency. But the stress is more than she bargained for, driving Marie to decisions she might live to regret.

The filmic approach playfully balances on the edge between documentary and fiction, thereby both underlining and adding to the theme of the film. The two directors have filmed Troels for 4 years, capturing all his ups and downs, the defining moments, both the hilarious and the sad. This material will be combined with Troels¿ video diary where we get even closer, and animation that will bring life to Troels¿ text and inner universe in a compelling and humoristic way. The animation is done by the artist Carl Krull whoose very distinctive style matches Troels¿ story and personality, combining darkness and humor, the grotesque and the beautiful. It will be subtly integrated into the filmed material, at times taking over completely. The story of Troels and the visual approach melt together.

Bodybuilding is the pure narcissism. While the runner struggles against time and the weightlifter struggles with the weights, the bodybuilder only has his mirror. Exercise programs, diets and hours and hours in a training room are only the outside of an extreme discipline and eternal struggle for the ideal body. An ideal body that, to most people, seems absurd, but nonetheless has a fascinating power. Not least because most people in the western world even know about the hunt for the perfect body.

Jan's only real friend is his blind father Mogens. When Jan's sister Lisbeth parks Mogens in a nursing home and Mogens apparently loses his will to live, Jan decides to give him something to live for: He stages a grand journey to China, in the middle of his two-room apartment in a desolate ghetto. China, a mythical land where Mogens once met the love of his life, Jans mother. But amidst the growing troubles of keeping the charade going, Jan meets a woman too.

What makes a mother give away her baby? This is the big question in Sun Hee Engelstoft’s poignant heartbreaker of a film about three Korean women who have become pregnant outside of marriage and are now hiding from the outside world until they give birth. They live in a shelter for unwed mothers on a South Korean island, where beautiful landscapes are in sharp contrast to the fierce dilemma that women go through: should they keep their children or give them up for adoption? Engelstoft has been given unique access to this particular shelter run by the strong-willed Mrs. Im, who fights for the girls’ independence but is up against a social structure and family tradition that leaves women in an impossible situation. Engelstoft’s sensitive portrait brings us close to a forbidden world and through her own experience as a Korean adoptee, she gives a deeply personal and extraordinary insight into a culture in which women can’t choose their own fate.

Ahmad Jalali Farahani works as a journalist in Iran. On 27 December 2009, he sees an innocent man being killed on the street, but neither Ahmad or his colleagues dare write about the murder. The journalists are hard-pressed and struggle daily against censorship and control, and even the otherwise conservative newspaper Tehran Emrooz gets to know the wrath of President Ahmadinejad, when it is ordered closed after the publication of one single critical picture.