Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.
Eugenio offers his childhood friend Martin a work for the summer. With a game of power and desire a relationship starts to grow that goes beyond their friendship.
Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.
This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.
At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.
Six teenagers spend a day at a summer house waiting for a group of girls. Competitiveness and small aggressions are common currency but the danger of their childish attitude threatens them at every moment.
A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.
A detective must face his past to solve the crime of the present.
In a building where silence and order usually prevail, Estela tries to sleep, unable to doze off due to the passionate nights of her young neighbors. Tired of their disrespect, she calls for a consortium meeting to decide the couple's new fate.
Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation.
Mateo and Lucía are moving abroad. The day before leaving, Mateo reunites with his lifelong friend, Dionisio, to spend one last summer afternoon together. However, as their inevitable goodbye inches closer, Mateo begins to perceive a series of strange events. In particular, he begins to hear a goat's bleat…
In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.
Four teenage friends go on a road trip through Argentina. On their way, they find a castle left abandoned in the middle of a forest. They decide to investigate further, only to discover it's gruesome secrets and former residents.
Erasmo Chambi is a Bolivian immigrant who survives on the outskirts of Buenos Aires, giving wrestling shows at local clubs. In his home country, he was a legendary wrestler: there were trading cards, posters and action figures of his character, El Ciclón (The Cyclone), which today are only relics in a forgotten drawer. Nowadays he trains his son to be his successor.
An Argentinian money exchanger finds himself involved in a series of problems that lead him on a marathon odyssey against the clock.
A married woman with a mute daughter has a forbidden relationship with the single father of a teenage boy.
When his pet is killed by a probe from earth, Mercano, a Martian, travels to earth angered. Landing in Buenos Aires, at first noone takes any notice of him.
Enzo, still not over the death of his grandmother Yiyi, returns to her house, almost abandoned, with the aim of taking some elements.
A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.
A family is fragmented after events caused by a daughter brought up badly by her parents: a man with bad habits, and a mother who comforts too much.
