After their relative and associate runs way, the Naves brothers inform the police of the incident, who end up arresting them under the accusation of murdering the missing person. The brothers are tortured in order to confess a crime they did not commit while their wives are raped.
A tireless and incorrigible seducer looks for - and seems to find - the woman of his life.
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
Carolina gathers some old friends in her house on Paquetá Island, in Rio de Janeiro. She will find, among them, the boyfriend she had during her childhood and with whom she had exchanged vows of eternal love.
Person is a documentary about the life and work of filmmaker Luiz Sérgio Person. The documentary brings the reconstruction of the history of the São Paulo filmmaker through the personal journey of his daughter, Marina. Through interviews with friends, family, and people who worked with Person, she seeks to discover more than dates and biographical data.
Western spoof. Depicts the conflict between the leader of a gang of country bandits and his former protégé, now a police officer.
The adventures of a gang of thieves and murderers led by violent Caveirinha. A radical disruption proposal from the postulates of the Cinema Novo, a film with a loose narrative structure. Through the actions of a group of outlaws, the director sews in scenes that propose iconoclasm and elation as forms of opposition to the military dictatorship oppression.
A brief look at the traditional Bexiga, am important neighborhood in the early 20th century with the massive arrival of Italian immigrants who felt at home while developing their businesses and generating a great economy to São Paulo. But in the second half of the century the families of means left the place; others were evicted due to a government crisis...and then with plenty of empty houses and spaces Bexiga became a spot for home invasions from poor families who were living under the streets.
A short documentary that uses irony to approach the most fashionable São Paulo street in the 60s: the Rua Augusta (Augusta St.), with its classic personages and most frequented spots.
