Impress Telefilm

Political Satire '420's double-up '840' aka 'The Great Bangla Democracy Private Limited.'

The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

Khorshed chairman is an honest person and rules in favor of justice. Alamin is his dearest assistant who lives with his mother at Khorshe'd house. Alamin and Khorshed's daughter are in love. When Alamin's mother gets to know about this she wants to send her son away. Khorshed denies to leave Alamin but upon knowing about the relationship, he himself sends Alamin abroad. But tragedy follows Khorshed when he gets accused of murder. Some unexpected events start to unfold since then.

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.

A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.

Jamila lives with her son and mother-in-law in a village. Her husband Hashem works in town. When the war broke out, he leaves town and comes to village. He unites the villagers to protest the Pak military. On the other hand, with the help of Kader Ali Pakistani Mejor Sarfaraj takes away Jamila to the camp. She and other women were victimized by Pakistani Army. By the time, they get united and protest the army.

Refugees from East Pakistan flee West Pakistani soldiers aboard a rickety steamboat.

The film is revolves around a lonely woman named Joba’s mysterious life. Insatiable love, heartbreak after heartbreak, Joba’s life involving unexpected death raises several questions at various times. Is Joba really a killer? Or is there an invisible power with her?

The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.

Intertwined story of a group of friends living together and their romantic complications.

Rahmat, a fruit seller from Kabul, comes to Bengal Province to hawk his merchandise and becomes friend of a small girl Mini, daughter of a Bengali writer.

A story of love, dreams, politics, revolution, and the aftermath of a civil war in Bangladesh.

The story revolves around three characters: Annapurna, her son Amulya, and Bindubashini, a woman desperate to become a mother. Annapurna's husband Jadab goes through much hardship to pay for his younger brother Madhab's education; years later, Madhab becomes an eminent lawyer. Madhab's wife Bindubashini comes from an affluent family and is strikingly beautiful. Bindu is childless and when she gets to take care of Amulya, her yearning to experience motherhood finds some fulfillment. Sisters-in-law Bindu and Annapurna share a bittersweet relationship. Bindu respects Annapurna and the latter reciprocates by showering a lot of affection on her. But they have frequent rows over household chores. One day, they have a major disagreement over Amulya's upbringing. The disagreement proves to be irreconcilable. As a result, the two families split. The after-effects of this disagreement reverberate between the two estranged families for a long time.

Khirmohon is an old man and a potter by profession. All his life, he has struggled to keep his head above water and now is the owner of his own pottery house and a banyan tree. His two sons Satten and Nikhil stay in the city and prefer urban life. They have no interest in their father's business and want to sell up his life's work for financial gain. The silver lining in Khirmohon's life is his granddaughter Poddo, who is an eye catching dusky beauty. They stay in their village house with another person named Boishakh, who was adopted by Khirmohon when he was just a mere child. Boishakh is a passionate character, who is loyal to Khirmohon and is more interested in keeping the pottery business afloat then Khirmohon's own sons. There is a spark between Poddo and Boishakh, but it is not expressed. The story moves forward with Boishakh trying to protect the business from going into ruins by unwanted invaders and village politics.

After realizing his stolen phone belongs to a famous actress, a scheming daydreamer uses the opportunity to blackmail her.

A teenage boy is hired along with the music group of his father by a Zamindar (landlord) for entertaining him until the annual flood is over in the Haor region of East Bengal. But the boy finds out that he has to do something more than the rest of the members of the group are required- he has to satisfy the landlord sensually as well. The wife of the landlord cannot stand this new 'rival' of hers and conspires to kill the boy.

A teenager falls in love with her father's servant.

Fagun Haway is a Bangladeshi historical drama film based on the novel Bou Kotha Kou by Tito Rahman. This movie based on the language movement during 1952 in East Pakistan.