M. Razbezhkina and M. Ugarov Academy

Fly-on-the-wall documentary on the day-to-day life of Evgeniy Alyokhin, russian poet and musician, and his girlfrend Oksana.

Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.

Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

The lead character of the movie is modern day heroine, a girl aged 18 not yet ready to carry a burden of responsibility. She is no different from a thousand other girls either in terms of code of behavior, or style of speech, or desire to be loved. Except for one thing: in reality she is a boy.

Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.

Armed with nothing more than a Yamaha keyboard, Valentin commutes back and forth between his shared flat and a metro underpass in search of happiness.

Susanna, a sixty-four year old actress, lives with her mother and for a long time hasn’t played in the theatre; only occasionally she appears at small venues with poetic concert programs. But she is haunted by the play, which she rehearsed more than twenty years ago, and which was never staged. She finds a partner; the only thing that remains is to find a theatre that will agree to produce the play.

Six months ago, 46-year-old Julia divorced her husband and now lives alone in a three-room apartment. The children parted. In anticipation of a new love, every evening after work, she goes to sing karaoke. But the past is in no hurry to leave: the fate of jointly acquired property in the marriage remains unresolved. An ex-husband returns to the city.

Faced with the relentless demise of the factory they work at, Mikhail, Andrey, Nina, Vladimir, Nadia and Luda – bosses, foremen, engineers and workers at the giant Moscow automobile plant ZIL – cling to their established routines and professional pride to stay upright in a world which is crumbling around them. When an order comes in to produce three of the factory’s legendary hand-made limousines, once the centerpiece of Soviet military parades on Moscow’s Red Square, Mikhail’s team of hand-picked specialists throws itself at the opportunity to show what they are worth.

Carlos has been just born. He is the sweetest of the babies, but his grandmother is very sorry that he’s was born dark skin. Grandfather Sergey Mikhailovich wants to drink to the health of his grandson and celebrate this event, but grandmother doesn’t allows him to drink. Grandfather wants Carlos to know that he was born in the Great Russian Empire. This is Carlos’s first new year, and I made a movie so that he would remember it, and to talk about hilarious and painful things happening in my new family.

Viktor Ryzhakov takes charge of the Sovremennik theatre after the death of Galina Volchek, who led the troupe for almost half a century and enjoyed absolute authority. For the theatre’s first new production, the new artistic director chooses a play about a family whose members have ceased to understand each other. While working on the play, the director and actors become more and more like the characters in the future production, and find it increasingly difficult to find mutual understanding within their “theatrical family.”

SPARTA is the Agricultural Poetized Association for the Development of Labor Activity. This is how the commune calls itself, which has been engaged in the development of the "Theory of Happiness" in the Ukrainian village "Karavan" for more than 20 years. Unable to reconcile with the collapse of communist utopia, the "Spartans" created their own.

Sasha and Marina are raising their three adorable children in a wooden izba in a village in Voronezh region of Russia. They have no indoor plumbing and subsist mostly on a diet of cheap processed food and bread-and-mayo sandwiches. Sasha works in the IT industry, but a person of his talents cannot find steady work in the countryside and is forced to eke out a living as a computer repairman for his colorful neighbors. Sasha drives from client to client in his 1972 Lada, making barely enough money to cover his gas expenses, while Marina is busy running their impoverished, even by village standards, household. The Kiselyovs have happiness in spades - the heart of their family is their youngest child, the precocious and charming Katya. What kind of a future awaits this little girl?

The demonstrators on the streets of Moscow in July 2019 want just one thing: fair elections. Despite their peaceful protest, 2,700 activists are arrested and hundreds are injured. The active camera places the viewer at the heart of the demonstrations, among the pushing and shoving of the chanting crowds. “You should be protecting us!” shouts a young woman at a soldier, and two big men come and take her away.

Igor and his friends dream of having a rave in Chernobyl to rethink the space of a man-made disaster through life and art. However, they are faced with a reality where their idea is opposed by unfounded fears, corruption and hypocrisy of officials. The film by the Guatemalan director Pablo Rojas Castillo, a graduate of VGIK and the School of Documentary Film and Theater Marina Razbezhkina and Mikhail Ugarov, is not only about the company of dreamers and the rave at the sarcophagus of the Chernobyl nuclear power plant, but also about the need to recycle the Soviet heritage and the clash of values of different generations.

The Chechen Ruslan Arsajev seizes every opportunity to fight against the Russians, including in Ukraine. A portrait of a displaced mercenary from the front line of the crisis.

The last few years, Matthew and Kate live in the village. An event occurs in their lives that leads to a radical redefinition of relationships. The past and the present are intertwined into one confused story in which the characters lose sleep, drive each other out of the house, rush into the arms, starting a new circle. And precisely at this time friends from Berlin come to visit them.

Graduated of the institute, Nikita comes to work at the best Kostroma’s factory. Now it is essential for him to learn how to dust down the veneer sheets and to put them into the dryer in the right way.

How to become another person in 30 days? Find a way to try 30-year-old Albina, who is in search of a good well-paid job. To make a difficult path to updating Albina, not only home-based online learning helps, but also the Challenge diary, which daily challenges the girl.