After suffering a personal tragedy, and desperate for justice, Jacob Kanon, a veteran New York City police detective, embarks on the search for a twisted killer who is leaving a bloody trail of elaborate murders across Europe.
In this 3-D science fiction film that was shown at Disney theme parks, the infamous Captain EO and his ragtag crew are sent on a diplomatic mission through space to deliver a gift to the mysterious and menacing Supreme Leader of a desolate industrial planet.
Join two of basketball's greatest legends Red Auerbach and Larry Bird, as they share their knowledge, insight, and experience in this action packed, highly instructive, and entertaining look at "America's Game."
In the Andes, a Belgian doctor and his photojournalist wife become ensnared in a native tribe's struggle with a mining company.
Documentary of the making of Michael Jackson's Captain EO film for the Disney theme parks.
Montage film made of short fiction and non-fiction clips, to celebrate the 100 anniversary of Kodak film manufacturing.
A documentary exploring the effect of PCP on both the user and society, with particular focus on a Los Angeles salesperson named Jack's recreational usage of the drug.
San Diego, California. A Spanish taxi driver collects a client who asks to be taken to Miramar Street. These words are sufficient for the driver to feel that something in his life has just changed.
This two-color (green-blue and red) film was produced as a demonstration reel at the Paragon Studios in Fort Lee, New Jersey, under the direction of Kodak scientist John Capstaff. It features leading actresses, including Mae Murray, Hope Hampton, and Mary Eaton, posing and miming for the camera to showcase the capability of the complex Kodachrome process to capture their translucent movie star complexions and colorful, high-fashion clothing.
Produced by the Eastman Kodak Company and shot in a then-experimental process, two-color Kodachrome, Martha Graham's dance "The Flute of Krishna" is performed by students from the Eastman School of Music. It's likely (but unconfirmed) that the film was directed by an uncredited Rouben Mamoulian.
The simple actions of a young boy on the beach provide visual metaphors for the normally unseen world. The camera adds a profound dimension to what the boy has seen, giving us a deeper understanding of visual awareness.
From many distinguished American poets comes the connecting narrative for this gorgeously photographed treatise on America the Beautiful and America the Increasingly Ugly.
Julien, a young french comedian, disembarks in Chacahua, a fishing community in Mexico's pacific coast.
Watson crafted a dazzling visual ballet that stands on its own as an aesthetically rewarding and educationally inspiring tour of the massive Kodak factories. Utilizing the multiple exposure imagery he had used to such great effect in The Fall of the House of Usher (1928) and Lot in Sodom (1933), Watson makes tool and die drill presses, assembly lines of camera parts, and the film coating process every bit as expressive and interesting as an MGM historic drama.
In Electrical Gaza, Nashashibi combines her footage of Gaza, and the fixer, drivers and translator who accompanied her there, with animated scenes. She presents Gaza as a place from myth; isolated, suspended in time, difficult to access and highly charged. Commissioned by the Trustees of Imperial War Museum.
10th Anniversary documentary about Royal Blood's 2014 eponymous debut album, presenting an intimate glimpse into the creative process and the journey behind their work, friendship and brotherhood.
Deux Metres was shot days before Covid-19 was declared a pandemic. The movie documents the day of Angele Metzger, a character who accuses the director of using this short to actually depict a portrait of himself.
This technically ambitious short fiction film utilized actors from the Rochester Community Players, and was shot on locations across Rochester, including Britton Field, now the Rochester International Airport. Kodak screened it for customers at sales conventions, and it proved to be the perfect finale to Gleason’s film career-- A tale of a handsome aviator (and not a sportsman) returning home and finding love. The unofficial “Godmother of Amateur Filmmaking,” Gleason wrote "Scenario Writing and Producing for the Amateur" in 1929.
