Amongst the mountains of Lesotho, an 80-year-old widow winds up her affairs and makes arrangements for her burial. But when her village is threatened with resettlement due to the construction of a reservoir, she finds a new will to live and ignites a spirit of resistance within her community.
An exotically beautiful Sotho actress, Kedibone Manamela, chooses to live her youth on the fast lane. Veiled from her loyal childhood boyfriend's eyes, she bounces between being a good girl in the township and the 'it' girl on the high end of Johannesburg streets. A dark threat looms over the day when the news of Kedibone's escapades reaches the young man.
The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face. ‘Mother, I Am Suffocating. This is My Last Film About You’ is a symbolic social-political voyage of a society, spiralling between religion, identity and collective memory. “I saw in you what they saw, mother. You deserve your war”.
"Shepherds" shows how cattle are a constitutive element of the entire social life in Lesotho, a tiny country enclaved within the territory of South Africa. Cows have a deeply symbolic and material significance, and owning them is thus of very great value. The film was made in a jail where cattle thieves are held. They relate episodes from their lives and talk about why they are there.
A short film about the people who sweep the streets of Johannesburg every night.
“Through the use of violent symbols (loosely associated with Artaud’s notion of cruelty), some of the consequences of the current social organization in Latin-America are exposed: the alienation, marginalization and reification of men, and the continuous presence of imperialism, considered as rape.” (UU)
Sekalli le Meokgo is a magic realism story about Kgotso, a recluse stickfighter who lives a solitary life high up in the Maluti Mountains of Lesotho.
An itinerant preacher proclaims to people that their god is in the very coffin he is dragging along.
After four years of independence and since his father was captured, a boy finds himself alone in the world filled with pride, wickedness and evil, when his brother leaves for the Liberation Army camp to avenge his father's legacy.
Two storylines involving artists in lockdown intersect in this South African drama about creativity, mindfulness and wellbeing. Jabu is an ambitious auteur plagued by demons, who accepts a place on the jury at a film festival in Johannesburg so he can be closer to his young son. He has been clean for months now, and is working on the side as part of the scriptwriting team for the most popular soap in South Africa. All with the aim of becoming the father he previously failed to be. Roxanne is a filmmaker on the verge of her international breakthrough, struggling with an unwanted pregnancy – which in South Africa cannot legally be terminated.
South African Film
A Western-like documentary set in a remote rural region in Lesotho: a frontier space where the ways of modern society are of little, if any, value. The arrival of economic migrants from China has irrevocably upset the balance of power, as old laws and ancient gods are doddering away. Subtle moments and small gestures reveal the trauma of expatriation, the burden of personal sacrifice, solitude and alienation, as well as the painful experience of otherness. As old structures begin to disintegrate and violence is about to erupt, one rule asserts itself above all others: eat or be eaten.
Setipana is a romantic story about a young man Jakobo who could be a traditional chief of his people, but declines the offer in order to pursue a medical career and serve his people as a doctor
Under the shadow of a mysterious Mountain in a remote part of South Africa, where legends of the local Bapedi people say that those who go there never come back, Thato has to face her fears in order to save her sick brother.
A conversation between an older, HIV positive woman and her niece. The women talk about what it means to be a woman, mother, elderly and HIV positive in Lesotho. They speak about love, marriage, motherhood, inter-generational sex and health systems in the context of HIV in Lesotho.
Potlako is captured by slave traders as a young man on his way to ask his uncles for their assistance in marrying the love of his life. We follow him when he is released 60 years later as an old man facing the challenge of returning home with the hope of finding his love.
The documentary is based on the Basotho people and how they were being evacuated from their homeland to make space for a dam being built in the area
Film about domestic violence
South African Movie
