Pontificia Universidad Católica de Chile

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

Short film that narrates in an educational way the processes of developing wicker and clay crafts. The film is based on the experience of a character who tells a story to his nephews. Work carried out as part of the documentary series "Andanzas de un Chileno".

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

Lucía (16) reunites with her sister Ema (17) after years apart. A journey through their rural birthplace brings present and past together, leading them to a difficult truth.

Chile, 2038. Revival is the technology of fashion. A virtual reality device that allows people to relive moments of their past, as if they were living it again. Émile, a young Haitian who is collecting money to bring his mother from Haiti, discovers that someone from his job in a vineyard is interfering with his memories in his revival. Searching for answers, Émile discovers the disturbing truth that was hidden.

In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

Being caught at school giving each other a hickey, Manu (14) and Toña (15) begin a journey of desire, guilt and goodbyes.

Laura turns 21, but she is no more. Through a secret ritual, Violeta and her cousin Sofia (12) strive to communicate with her after her death. In her passage to adolescence, Violeta enters a world of goodbyes.

In a dystopian Chile, during Pascual's birthday (18), his friends come up with a game: to do a panty hunt in the building where the single women have just arrived. Pascual cheats to avoid hurting a woman and is discovered by the 19-year-old Zángano, who threatens him by telling him that if he doesn't hurt a woman, he will hurt his younger sister Olivia, aged 12.

José Luis (19) works at a gas station. There he meets Amaro (48), a wealthy client with whom he initiates a sexual and emotional relationship. José Luis falls in love with him and receives his financial support, not knowing that he maintains this type of relationship with other boys like him

It's June 24 and the people of Lawan, a Mapuche community in southern Chile, are planning a big celebration for Saint John's Eve. Despite this, Cheo a restless and misfit kid, is not happy because this means the return of his father to the community. He is a violent man who, when he drinks too much, vent his anger with his family, unleashing in Cheo strong desires for revenge.

Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.

Gabriel Borquéz, an adult man who lives alone in an isolated house, where he hides after shooting his little son in the woods. Guilt twists his reality, causing him to hallucinate and messing up events. His salvation is to leave his consciousness, represented as a hallway in his home. He fights against self-destructive situations that damage his physical body, but ultimately succumbs at the hands of a creation of his mind, a personification of death and himself.

In the middle of a blackout, the night before his father's funeral, Felipe arrives at his mother's house after a nine-year absence. There he waits with his sister, his aunt and the maid, with a dinner made especially for him. Although Felipe only is coming for a short time, his mother and sister will draw him back to the house he once left.

In a dystopian world, a creature attends a banquet organized by a magical refrigerator. Thus begins his unbridled descent into a spiral of consumption. Corrupted and turned into a beast, he faces a macabre end.

Jorge, a 75-year-old retiree, spends his days watching television on the bed in which his wife died. His family tries to convince him to get the bed out of there, without receiving an answer from Jorge. Finally Jorge will embrace the most vulnerable side of him by deciding that they can take the bed.