Bruno’s (18) life is increasingly limited by the growing dependence of his grandmother Natividad (86), the only family he has ever known. When the opportunity to take her to a nursing home arises, both will have to deal with a decision they had not allowed themselves to consider before.
Aragon, Spain. After living through her parents' divorce, Mar arrives in the summer in a mysterious town where she is fascinated by the horrifying stories about the Civil War and its terrible consequences told by members of a group of teenagers who seem to live according to rules that are strange to her.
Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
As the town says goodbye to summer with their Festa Major, all the villagers fill the dance floor. The last to leave are a group of young people who, in the early morning, will exchange their cocktails for coffees while they decide they won’t go to sleep. At the same time, a mailman arrives at Custodio’s house and delivers something he was no longer expecting: a coffin for his wife, who was buried three months ago. On their last day of summer, three dead tired friends, Rita, Clara and Pau, wander around the village expecting something, but without knowing what it is.
A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.
After receiving it as part of her inheritance, Ana decides to move into her painter grandfather's house with her partner, Lucas. In one of the rooms, they find an unfinished triptych that will make them go deep into a paranoid artistic process.
Paula, a thirteen year old girl, starts to experience certain complications in the relationships with her family and friends. In order to be with her ill grandmother, which she barely knows, she spends the summer in Ojos Negros. There she will meet Alicia, a girl her age, who also stays in town for the summer. Together they will venture into the adult world through a stifling summer that never ends.
A young Spanish exchange student who is on her own for the first time in her life tries to adjust to a vastly different life in Berlin.
"Caracremada" ("Burnface" in Catalan), a nickname given by the Spanish Civil Guard to Ramon Vila Capdevila, reflects about the libertarian resistance against Franco's regime through the last active guerrilla fighter. In 1951 the CNT ordered the retreat of its militants; however Ramon Vila remained in the woods of inland Catalonia where he restarted the fight operating on his own.
Minutes before leaving the floor that they have shared for years and ending their relationship, Gala and Marçal try to confront all those feelings that they have never been able to express.
Three friends decide to isolate themselves in the mountain house of one of them to enjoy the last days of summer they have left. During these days in August, they take the opportunity to swim in the river, laugh a little and disconnect from the outside world. However, one night at a dinner table after having perked up with some beers, one of whom confesses that she was once sexually assaulted. As a result, they put in common unpleasant sexual experiences that they had never confessed, thus realizing that all of them, in one way or another, have been assaulted.
Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.
A short film shot in 16mm by students from Universitat Pompeu Fabra. Currently in postproduction.
Two girls work at a spa helping old people. They help them going in and geting out of the swimming pool, they fill them with unguent... But the aged bodies generate a weird resistance when they leave the water.
Agatha has just started University, but she still sees her old school friends, sharing parties, private secrets, trips, jokes and debates. A private world full of memories that she will now have to measure against her new college friends and the changes that she’s begun to discover in herself. The film Agatha’s Friends is the portrait of a group of 20-year-old girls during their first year at University as seen through Agatha’s eyes. From their lives in Barcelona to a trip up the coast to the Costa Brava, where Agatha will feel how the world she built with her childhood friends Carla, Ari and Mar, has begun to change.
Mila, an eleven-year-old girl, faces her last days of life before the end of the world. At the same time, she struggles to understand what this means and to keep her family together by holding a party for the final moment.
Vega hits something on the road, but there is nothing on the pavement. Looking for help, she meets Elvira, who tells her that she may have run over a disoriented animal due to the solar eclipse that will take place in the next few hours. The strength and magnetism of the phenomenon and the environment will lead Vega into a journey she could never have imagined.
Chumi is the janitor of the summery Apartamentos Paradiso. He has turned metal detecting into a magical illusion that helps him endure his day to day life. Last days of summer he needs to find something worthwhile.
A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.
