Centro Nacional Autónomo de Cinematografía (CNAC)

Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.

An elderly father and his two children, survive by harvesting salt from the sea. After the father dies, they live alone. Isolated from the outside world they become increasingly distanced, whilst their lust starts to blossom. Their lives get a lot harder. The brutal reality of harvesting sea salt coincides with their blossoming sexuality. Their lives of solitude drive them further apart whilst awakening lust makes itself known.

The story of a lawyer's journey to overcome her fears and social boundaries in order to transition.

"Des-authorized" is the combination of three stories, three realities that coexist and feed. The journey begins in the imagination of Elia K, the principal, who imagines Elijah, a character who is a poor playwright facing the crossroads to be true to his art, or succumb to the pressures of the producers must decide his work between surrender or pay the price of his freedom. On another level, we have Nina and Frederick, the protagonists of the work that Elijah is writing. They only seek to love, they are forced to leave the paper and press the Elijah to them the end that his story deserves, this is the starting point of "Des-authorized" a film set in an imaginary city , colorful and delusional. In the line of "Amelie" and "Stranger Than Fiction", brings a reflection on art, creativity, love and heartbreak.

After several years of retirement, Roco decides to make a new film. To achieve this, he reassemble his crew: cinematographer Larsen, Nacho the cameraman, soundman Meta and Cacho, the ever loyal machinist. But social and personal crises have dispersed the strange and remote territories of reality. Sometimes dramatic and and sometimes funny, Roco's search will lead him to an unavoidable encounter of life, death and rebirth.

In the wake of a banking crisis, four middle class friends throw a 'white glove' hold up, only to find out that their bank has already gone bankrupt.

Willi premieres his own reality show and the first guest is the famous telenovela actress, Elsy Ferrer.. It immediately captivates the public with absurd and hilarious situations inspired by the routines of the most celebrated hosts of Latin American television.

A detective, goes from Spain to the Venezuelan Guajira, hired by the king of Wuayuus, to protect her, Niña de Maracaibo (wife of King, who belongs to an aristocratic family in the city) the detective tries to discover a conspiracy greater than initially imagined. Where he is only one piece in a plot which mixes smuggling, power struggles and tribal magic. The clash of two opposite visions, the 'Western' Spanish researcher, and the 'native' the Wuayuu original owners of Caribbean, converts this format film apparently 'police' in a thesis film revealing the mystery of the still existing singular South American identity.

Investigating the murder of a drag, the journalist Heriberto Camargo discovers that the crime is part of a plot of police killings attributed to a character known as Vincent. The chronicles published by Camargo and his investigations to uncover the motive for the crimes confront Commissioner Sangretti.

This documentary is a chronicle of the journey through the most important sites of the life of venezuelan writer Francisco Massiani who reveals the details of his work and the love of his life.

This is the story of two teenage women affected by violence and the painful journey to become full and liberated. One, Maruja is a young rape victim. The other Carmen Luisa is beaten by violence within her own family.

The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.

The obsession of The Mother for The Negro causes her sick relationship with The Daughter. Mother and daughter perform a daily routine of rites to conjure The Negro's soul. It pushes them into the dolorous tragedy which will consume them.

In the region of the Venezuelan Andes, trough the stories told by the peasants with fine sense of humor, we will travel backwards in time, following the thread that created the legends, through oral tradition, magic realism and songs that will reveal a collective conscience and the characteristics of their culture.

In 1995, several cargo containers are discovered high in the Bolivian Andes. Inside are potentially toxic chemicals, and local policeman Mariscal soon becomes charged with the task of smuggling the containers into neighboring Chile. He recommissions an old train to haul the toxic waste out of Bolivia, but encounters one mishap after another, beginning with the local townspeople who know what's inside, halting the train's path.

A man fails to acknowledge the teenagers he mistreated when they were small children.

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

Gioia returns home for her grandfather's funeral, after having fled when she realized that she would never be part of the family business, until then managed by him. But now that her grandfather is dead, she makes the women of the family understand that they must unite and take the spaces that belong to them. Together they will take control of the family business, where these women now have their place conquered.

When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder -- and learns something about his own destiny in the process.

During Christmas time in Caracas, a woman (Yotama) holds up a restaurant. She takes three persons (Emilio, Manuel and Lucia) hostage in their apartment. Day by day Emilio, an old musician and Yotama become friends. Yotama's small daughter, Victoria, is brought into the apartment. Emilio dies and the rest of the three persons become united in a common bond of humanity.