NEOS Film

A long-term couple who are in an erotic slump decide to bring a breath of fresh air into their relationship by having a ‘foursome’ with two friends. But the open-minded meeting takes an unexpected turn and ends in a fiasco.

The story of Henrik, who takes part in a student exchange program with France. The only reason for this journey is to conquer the heart of his dream girl. Wild Partys, exciting trips, a crazy host family and of course his trouble with the French language turn the - at first unmeant - holidays into a memorable summer.

The balance of nature is in danger and only Clara and her friend have the heart to solve the secret of the bears and to break a centuries-old spell.

The House on the Moon

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

While Sedanur spends the whole night in Ingolstadt sorting car parts, headhunter Eva is looking for specialists in logistics automation. Two very different representatives of a generation in which, sooner or later, everyone will be replaceable.

In the nineteenth century a young Jewish woman living in the part of Poland controlled by Austria, meets an Austrian Count at a ball held by one of her father's business associates. After he rescues her from the unwanted attentions of a Polish army officer, they fall in love.

A mystery short directed by Iván Sáinz-Pardo.

A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.