Apple Corps

The Beatles stormed through Europe's music scene in 1963, and, in 1964, they conquered America. Their groundbreaking world tours changed global youth culture forever and, arguably, invented mass entertainment as we know it today. All the while, the group were composing and recording a series of extraordinarily successful singles and albums. However the relentless pressure of such unprecedented fame, that in 1966 became uncontrollable turmoil, led to the decision to stop touring. In the ensuing years The Beatles were then free to focus on a series of albums that changed the face of recorded music.

The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.

A documentary chronicling the Beatles' rehearsal sessions in January 1969 for their proposed "back to basics" album, "Get Back," later re-envisioned and released as "Let It Be."

Originally produced for television, this short film as an off-the-wall road movie starring the Beatles and a couple dozen friends on a psychedelic bus tour.

The story of The Beatles' last song featuring exclusive footage and commentary.

On the 30th of January, 1969, the Beatles performed an unannounced concert from the rooftop of their Apple Corps headquarters at Savile Row, within central London's office and fashion district. Experience the final and unforgettable iconic performance of The Beatles in a special 60-minute presentation, digitally remastered into the image and sound quality of IMAX DMR technology.

Featuring never-before-seen footage of the band and the legions of young fans who helped fuel their ascendance, follow McCartney, John Lennon, George Harrison and Starr as they land in New York City in February 1964 and solidify their status as the biggest band in the world.

An art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near fascist "party" that promotes male sexual dominance and which attracts a couple of other unsavoury confused characters.

A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.

Short documentary focused on the background story of the show, including interviews with cast and crew.

Due to be crowned King of the Netherworld by his mentor Merlin the Magician, Count Downe–the son of Count Dracula–falls in love with the beautiful but human Amber and finds himself in conflict with Baron Frankenstein, who is vying for the same honorary title.

A collection of interviews and footage of the band detailing how their sound progressed and how their albums were made.

Promotional film for The Beatles 1969 single Revolution.

A Film Journey to the Soul of India documents the life of sitar master Ravi Shankar in the late 1960s and early 1970s, following him on his return to India to revisit his guru, Bengali multi-instrumentalist and composer, Baba Ustad Allauddin Khan. It further explores Shankar's life as a musician and teacher in the United States and Europe, initiating those in the West to the exceptional world that is Indian classical music and culture. Through rare and candid footage shot in both India and the United States, Raga sheds light on Shankar's influences and collaborations, from Allauddin Khan to his famed dancer brother Uday Shankar, to his associations with Western musicians Yehudi Menuhin and George Harrison. Fully narrated by Shankar himself, the film reveals music as the soul of India and of Shankar's life.

A documentary covering the trials of James Hanratty, perceived to be wrongly accused at the time and one of the final eight people in the UK to be executed before capital punishment was effectively abolished.

The Beatles hired Michael Lindsay-Hogg to shoot a promotional clip for "Hey Jude" after he had previously directed a clip for "Paperback Writer" in 1966. They settled on the idea of shooting with a live, albeit controlled, audience. In the clip, the Beatles are first seen by themselves, performing the initial chorus and verses, and then are joined by the audience who appear as the last chorus concludes and coda begins; the audience sings and claps along with the Beatles through the song's conclusion. Hogg shot the clip at Twickenham Film Studios on 4 September 1968, with McCartney himself designing the set.

One of four biopics—all to be released in 2027—focusing on individual members of The Beatles, this one telling the story of the group from the perspective of George Harrison.

One of four biopics—all to be released in 2027—focusing on individual members of The Beatles, this one telling the story of the group from the perspective of John Lennon.

By 1972, the seminal English glam-rock band T-Rex was at the height of what came to be known as "T-Rexstacy:" they had already scored three of their soon-to-be ten straight Top 10 hits. To celebrate their success, Bolan and T-Rex played two sold-out performances at London's Wembley Empire Pool, captured on film by none other than former Beatles drummer Ringo Starr and released as the now-legendary concert film BORN TO BOOGIE. The only existing recording of a full T-Rex concert, BORN TO BOOGIE is centered around the dual live performances (with Ringo and Elton John guest starring on two tracks) and interspersed with an acoustic set filmed at John Lennon's mansion, goofy backstage footage of Bolan, and surreal sequences of nuns and dwarves inserted for visual effect.

The Beatles First US Visit uniquely chronicles the inside story of the two remarkable weeks when Beatlemania first ignited America. The pioneering Maysles Brothers who filmed at the shoulders of John, Paul, George and Ringo, innovated an intimate documentary style of film-making which set the benchmark for rock and roll cinematography that remains to this day.