On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.
Here we find a group of misfits who've given up on humanity and have decided to dwell below the pavement. The group has its own hierarchy, of course, and soon the conditions that drove them underground begin to manifest themselves without the influences of the Outside World.
Stylish film of the British progressive rock band Pink Floyd in 1971 performing a concert with no audience, in the ancient Roman Amphitheater in the ruins of Pompeii, Italy. There are four editions of the film: the original 1972 version with the concert only (60 min.), a longer 1974 theatrical version (85 min.) featuring the concert interspersed with interviews and footage of Pink Floyd in the studio working on their next album, Dark Side of the Moon, the 2003 Director's Cut which added CGI effects to the 1974 version, then finally the 2016 Blu-ray version which re-arranged the song order of the 2003 version.
Mastro Geppetto is a poor carpenter with no wife and no children. The man is very lonely, and after trading a piece of wood with his colleague Mastro Ciliegia, decides to build himself a puppet to keep him company.
Having failed in their quest for the Holy Grail, the knights of the Round Table return to Camelot, their number reduced to a mere handful. Seeing a rift developing between Lancelot and Mordred, Arthur urges his knights to bury their differences and become friends. However, the king is unaware that Lancelot is having an affair with his queen, Guinevere. Lancelot is torn between his duty to his king and his love for the queen, whilst Mordred is determined to use his infidelity to destroy him.
An elderly millionaire manipulates an avant-garde writer and a happily married man.
An aged, wealthy trader plots with his servant to recreate a maritime tall tale, using a local woman and an unknown sailor as actors.
Jacques, a young man with artistic aspirations, spends four nights wandering Paris with a young woman, whom he rescued from suicide.
Rossellini's interpretation of Descartes' life.
Odysseus' journey told in Homer's Iliad and Odyssey. After fighting in the Trojan War, Odysseus spends years trying to return home to Itaka.
Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.
A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.
In this evocative, atmospheric biography, Roberto Rossellini brings to life philosopher and mathematician Blaise Pascal, who, amid religious persecution and ignorance, believed in a harmony between God and science.
Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. Fouquet believes Louis will soon tire of exercizing power and overplays his hand by offering a bribe to Louis' mistress to be his ally. She reports this to the king who arrests Fouquet. Louis and Colbert design a brilliant strategy to keep merchants making money, nobles in debt, the urban poor working and fed, and peasants untaxed.
Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions.
Journalist Claude Leroy (Jacques Champreux) reports that a secret society, The Companions of Baal, is behind a hold-up in the small town of Blaingirey. They are led by the Grand Maître Hubert de Mauvouloir (Jean Martin). An adorant of Lucifer, he aims to enslave the world. Accompanied by their acolyte, Pierrot Robichat (Gérard Zimmermann), and a young girl, Françoise Cordier (Claire Nadeau), Claude Leroy is determined to finally reveal the mysteries of the group's criminal enterprise.
A man returns to the place he once lived a passionate love affair with a woman who is now dead. So powerful are the emotions that seize him that he imagines she is still alive, and begins to live as if this were the case...
1865, The American Civil War: Five POW manage to escape by balloon from Fort Richmond. Caught in a storm and with the balloon damaged they find themselves 'shipwrecked' on a volcanic desert island somewhere in the Pacific. Just before crash landing their leader, the brilliant engineer Cyrus Smith falls to his apparent death in the raging waters, but later turns up completely unharmed and with no memory of how he was saved. His fellow castaways are: the famous journalist Gedeon Spilett, the salty sailor Bonaventure Pencroff, the orphaned boy Harbert Brown and the black servant of Smith, Nab. The dog Top also joined them in the escape.
A young man, Lagardère, discovers that a plot is afoot to assassinate the Duke of Nevers. He warns him and flees with his daughter, Aurore. Fifteen years pass. Lagardère has raised Aurore as his own, but her mother seeks her out and has her abducted by her men. With the help of two friends, Lagardère rescues the girl and confronts her kidnappers.
