Meteor Film Productions

A troubled detective befriends a single woman and her daughter with the intention of using them as bait for a serial killer.

Interconnected stories are told entirely through images captured on security cameras in storage rooms, police cars, parking lots, shopping malls and other locations. Store manager Tony has affairs with the women who work under him, high schooler Sherri schemes to seduce teacher Berry, a pedophile stalks his next victim at a mall food court and two thieves go on a killing spree that links to other tales witnessed by the unseen electronic eyes.

The son of a retired astronaut competes to win a seat on the next space shuttle.

A woman with a steady marriage and a little daughter, goes bezerk and enters a seducing game.

A peaceful family-life is suddenly disturbed when the children enter puberty. The children take over the house and disrupt the lives of their parents.

Roos Hartman is a young doctor who lives with her son in a large apartment complex. When a fellow tenant is brutally murdered, the police and Hartman's friends suspect her mysterious neighbour, Eric Coenen. As she becomes romantically involved with Coenen, she doubts he would commit such a crime, but soon she begins to investigate the case further and discovers some startling facts relating to his involvement..

According to an ancient Indian tale a giant monster embryo residing in a crystal vase is predetermined to fertilize a blue-eyed woman. She will give birth to something evil to unleash horror and destruction upon human kind. Ugly septuplet brothers reproduced within the framework of mysterious genetic experiments terrorize a young innocent girl who seems to be chosen for the sinister predestination.

During the second world war law student Hannie Schaft is a member of the Dutch resistance movement.

(auto-translation: LA CINÉMATHÈQUE FRANÇAISE ) Using a subjective camera, set to music by Bela Bartók and text by Arthur Rimbaud, François Reichenbach offers a highly singular vision of the American megalopolis. (MIFF:) These are no ordinary travel notes brought back from America by filmmakers; they are not enthusiastic records of skyscrapers and crowds. but disturbing aspects of a hallucinatory world of concrete and metal, glaring light and haunting shadow. The film is notable for its dramatic use of colour, and music from Bela Bartok's ballet "The Miraculous Mandarin". (a-t:) F.B. confides in his memoir 'Le monde a encore un visage' (1981): "When I went to New York for the first time, I'd brought along a Bell & Howell 16mm camera whose instructions I hadn't read. I didn't know how to use the film, and inadvertently loaded some rolls that had already been printed, which resulted in these strange superimposed images. A well-known process that I had reinvented by accident".