Escape from Pretoria 2020
South Africa, 1978. Tim Jenkin and Stephen Lee, two white political activists from the African National Congress imprisoned by the apartheid regime, put a plan in motion to escape from the infamous Pretoria Prison.
South Africa, 1978. Tim Jenkin and Stephen Lee, two white political activists from the African National Congress imprisoned by the apartheid regime, put a plan in motion to escape from the infamous Pretoria Prison.
In a future where water is scarce, a farmer defends his land and hopes to rejuvenate his parched soil. However, his daughter's boyfriend schemes to steal the land for himself.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Maya, a headstrong 28-year-old with artistic ambitions – a strong contrast to what her father Ed wants: a dutiful daughter to run the family store. Ed is shocked when Maya takes her assertions of independence a step further and decides to travel to Africa for inspiration and returns with a fiancé who is not quite what he seems.
Confronted by Apartheid and a father who was Minister of Censorship, Ingrid Jonker searched for a home, searched for love. With men like Jack Cope and André Brink she found much love, but no home. Later, in his first speech to the South African Parliament Nelson Mandela read her poem "The Dead Child of Nyanga" and addressed her as one of the finest poets of South Africa.
This movie is of Hally, an adolescent white South African. He is stuck between his intolerant father's outlook of him and those of his caretaker, Sam. Sam is a black waiter and Hally's friend and teacher. Hally is required to laugh at his father's racist jokes, by contrast, Sam exposes Hally to uplifting experiences. One day Hally was terribly humiliated by his father and Sam shows Hally how to be proud of something he can achieve.
A story about two half-sisters life in the eighteenth century Suriname. There is Lynda, a white colonial and slave owner, and her slave Mini-Mini's. While Lynda is slowly embittered by the hard life in the colony, Mini-Mini gets a chance at her own happiness. The question is, if she dares to seize that chance, as this happiness is at the expense of her mistress and half sister?
South Africa, Free State region, isolated stronghold to the Afrikaans white ethnic minority culture. In this conservative farming territory obsessed with strength and masculinity, Janno is different, secretive, emotionally frail. One day his mother, fiercely religious, brings home Pieter, a hardened street orphan she wants to save, and asks Janno to make this stranger into his brother. The two boys start a fight for power, heritage and parental love.
Inspired by real events, a London architect travels to the grand dunes of the Namibian Desert to escape. But when he finds himself stranded alone, desperately waiting for a ride that never comes, he must embark on a bitter rite of passage.
During the Boer War in South Africa, upon hearing that the British are planning a scorched earth policy, a respected Boer officer, who's also a loving father and husband, decides to go home and protect his wife and family instead of participating further in the war. The decision leads to a treason trial for him and his sons.
Set in Zululand South Africa three Zulu men must re-awaken sleeping demons when Mpiyakhe, now a successful Johannesburg businessman, returns home. Under adversity they are compelled to make life changing choices.
U-CARMEN is a feature film based on Georges Bizet's 19th-century opera that was filmed on location in a modern South African township setting. The energy, compassion, and heat of township life in all its elements create a constantly visually interesting and dynamic background for the unfolding of the story, which owes part of its huge popularity to the thrilling combination of a violent gangster tale with a passionate, almost supernatural love story. As it unfolds, it explores issues of fame and wealth, the position of a strong and independently minded woman in a very masculine society and, perhaps most importantly, the incomprehensible attraction between abuser and victim. Bizet's opera, based on Prosper Merimée's novel, premiered in Paris on March 3, 1875. Set in a poor area of Seville, the story of the magnetic woman who seduces, loves, and ultimately destroys her lover and herself...