Levan Koguashvili’s film — about a lonely 40-year-old schoolteacher who takes up with the wife of a soon-to-be-released convict — is a compassionate tragicomedy commenting on relationships and the profound emotional responsibilities they trigger.
Rokas and Inga, a couple of young Lithuanians, volunteer to drive a cargo van of humanitarian aid to Ukraine. They cross the vast snowy lands of the Donbass region, drifting into the lives of those affected by the war.
At Turkey’s oldest zoo, a lonely manager and a neglected female officer form an unlikely bond: as they hide the death of the zoo’s oldest inhabitant, an Anatolian leopard, in order to stop the privatization process and fake its escape, they set in motion an absurd charade that spins out of control. In Turkey’s grey and quiet capital, the ghost of the leopard persists.
A series of odd coincidences has left Lukas, an interpreter for an OSCE military checkpoint inspection tour, stranded near a small southern Ukrainian steppe town. With nowhere to turn, this city boy finds shelter at the home of a colorful local named Vova. With Vova as his guide, Lukas is confronted by a universe beyond his imagination, one in which life seems utterly detached from any identifiable structure. Fascinated by his host and his host's daughter Marushka, with whom he is rapidly falling in love, Lukas’s contempt for provincial life slowly melts away and sets him on a quest for a happiness he had never known could exist.
FALLING is a story about the post-revolutionary generation of young Ukrainian people looking for their place in a modern Ukraine. It follows two bewildered people who meet at a crucial moment of their existence and experience few days of happiness together.
A boy tries to find out what happened in the old local synagogue. Obsessed, he is chasing something he never saw and does not pay any attention to what is happening around him. Inspired by Franz Kafkas unfinished novel.
Akın goes to a deserted village of his childhood by the Black Sea, where his family lives, joined by his lover Elif and a small team, with whom he has been working for years to accomplish his movie. However, Akın finds himself in a big stalemate: On one hand, Elif gradually reveals her suppressed feelings that she has accumulated; on the other, his father on the verge of death although his movie waiting to be shot. The traumas that cannot be overcome in their relationship, the betrayals that cannot be forgotten, dozens of gangrenous problems and the invisible binding of these two restless souls will keep snowballing and throw both of them to unexpected places while filming. Beneath the wreck of their relationship, there exists the film they dedicate their lives to shoot and a dying father.
