The Third Half 2012
Spitz is the German-Jewish coach of the football team Macedonia during World War II. Under his leadership, the team fights to become the champion of Bulgaria's National Football League
Spitz is the German-Jewish coach of the football team Macedonia during World War II. Under his leadership, the team fights to become the champion of Bulgaria's National Football League
In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.
One day, teenager Magda offers her expensive necklace to a sick child in the hospital she volunteers for- her father is certain she is lying again. When she proves her innocence, he is ashamed and guilty but also incapable of admitting he was wrong. Relationships are now broken and in chaos, and past decisions have an irreversible outcome.
Adolescence is always a difficult time; it is doubly so for Gábina. For one thing, she is growing up in the normalization years of the 1970s, and then she also has to face the reality that her father is a well-known actor disavowed by the regime. Although he abandoned the family years before, his existence casts an ominous shadow over the lives of not only Gábina, but also her older sister and mother, who are trying to find a civilized way through the social mire of the times.
Worried that his father is gay and that it's hereditary, 13-year-old Tomás gets his girlfriend pregnant. Therein ensues a romantic comedy of errors.
A perfect couple rents a holiday home on a sunny Italian island. The reality does not live up to their expectations when they find out that the pool in the house is broken. Ignorant of the fact that the island faces water shortage, they ask for someone to fix it. The constant presence of a stranger invades the couple's idea of safety and starts a chain of events, which makes them act instinctively and irrationally, heading to the darkest place in their relationship.
Juggling demanding careers with three kids, Martin and Vendula decide a big change is needed to keep their marriage from sinking.
The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.
A story of Karel Jaroš, an emotionally arid man, whose mother suffers from Alzheimer disease. It is not love, but the sense of duty that stops him from sending his mother to a mental institution. On the other hand, this way he can finally connect with her. And not just with her but also with his teenage son and with himself.
Iska, Karolína, and Vendula are eighteen-year-old girls who have just graduated from high school. Not wanting to let go of their carefree student lives or their friendship, they plan to hitchhike to Holland, where they've arranged to work on a farm for three months. But Vojta, Iska's little brother and her father's right hand man, joins the trio against their will. He becomes a witness as well as a catalyst for the breakup of their friendship - for the girls recognize that time cannot be stopped. Dolls is a story about searching for love and finding oneself in the volatile time of late adolescence.
Thirteen-year-old Marek shoots videos on social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother's new acquaintance. In the most sensitive phase of his life, Tereza enters his path.
A coming of age story about love, loss and revenge centers around two teenage friends, Adam and Marek, whose aimless lives in a small town are suddenly disrupted by the appearance of Anna, the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.
Amidst today’s urban jungle of concrete, glass and metal, it is easy to forget that we actually live in the territory formerly dominated by wildlife. Many of its members have been exterminated by humans, while others have fled the sprawling urbanization to the surrounding countryside. It is their survival strategies that get revealed in exciting detail in the documentary series, Planet Czechia. For two years, a team of camera operators headed by Jan Hošek were recording a life cycle of Prague’s wild animal world across all seasons of the year. The film, accompanied by the commentary read by the actor Jiří Macháček, registers everyday struggles of the fat dormouse, the mouflon, blackbirds or the water hen, teaching the viewers in a casual manner a higher degree of tolerance toward the city’s overlooked inhabitants.
When the mother of two adoptees is tipped off about the possible affair her husband may be having with one of their children, her sense of duty takes a macabre turn.
Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.
Luisa and Erika are prototypes of young women who plunge into relationships with the "wrong" men. Luisa wants to become an actress, which upsets her husband Igor to no end. Erika is trying to work as much as possible so that she can afford to study and thereby achieve a better outlook on life, but she unfortunately runs up against a boss who doesn't have the best intentions with her. Ultimately Luisa's husband demonstratively commits suicide. Erika accidentally kills her boss in self-defense... The women blame themselves for all these failures, and that has got to change. Both have to grow up and start living again. Perhaps even together.
Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.
Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.
When a man known as Oroslan dies, the news quickly spreads through a little village, causing grief and emotion. Later on, actions become words and words become stories. In order to overcome the sorrow and restore the natural flow of life, the villagers start sharing their memories about Oroslan, re-creating his image through their tales.