Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.
Maria lives with her mother in a village in the interior of the country. She does the housework and works as a masseur in a room in the house. The mother is in a bad way because of an injury caused by Suncho, the dog in the house, and then Maria takes care of her demands. Florence, her younger sister, is moving to the capital with her boyfriend. The early arrival of the couple in the village, to finalize details of the move, triggers movements inside the house.
Sebastián, an architect in crisis with his wife, occasionally passes through a small town. Mariela, an orphan girl, believes him to be the one sent by God for whom she has been praying and lies in town saying that he is her uncle and that he has come to take care of her. Sebastián begins to relate to Mariela and her past. The lie grows, Sebastián begins to doubt his true identity and Mariela, and the whole town, will try to prevent him from leaving.
Can you walk around completely unnoticed for a day?
A city department is the scene of confluences of relationships, where the intimacy of a couple and the public sphere of work are confused and converge.
There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography
