Žvejai aptinka leisgyvį vyriškio kūną, išmestą ant jūros kranto. Jis labai sunkiai sužeistas ir nieko neprisimena: nei kas jis yra, nei kas jam atsitiko. Viskas, kas liko iš paslaptingai ištrintos jo praeities - šlaunyje implantuotas milžiniškos sąskaitos Šveicarijos banke numeris, neeiliniai lingvistiniai bei savigynos sugebėjimai. Kamuojamas visiškos nežinios, Bornas nusprendžia išsiaiškinti savo praeitį.
Filmo herojus ponas Oskaras važinėja Paryžiaus gatvėmis baltu limuzinu tamsintais langais. Vairuotoja Selina vežioja jį nuo ryto iki vakaro, o Oskaras persikūnija vis į kito gyvenimą: elgetos, žudiko, aukos, kapinių pogrindžio pabaisos, senio. Jis kovoja virtualioje erotinėje kovoje, vilioja Evą Mendes, romantiškai žiūri į Kylie Minogue personažę ant pastato stogo, žudo savo antrininką. Tačiau ar bent vienas iš šių gyvenimų yra pono Oskaro ir ar pastarasis nėra dar vienas vaidmuo? Kuo gilyn į naktį, tuo daugiau siurrealizmo.
In the beginning, an "orb" is cast unto Earth. "It" can do two things: change into the form of the thing that stimulates "it"; and come back to life after death. "It" morphs from orb to rock, then to wolf, and finally to boy, but roams about like a newborn who knows nothing. As a boy, "it" becomes Fushi. Through encounters with human kindness, Fushi not only gains survival skills, but grows as a "person". But his journey is darkened by the inexplicable and destructive enemy Nokker, as well as cruel partings with the people he loves.
When Steven Grant, a mild-mannered gift-shop employee, becomes plagued with blackouts and memories of another life, he discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. As Steven/Marc’s enemies converge upon them, they must navigate their complex identities while thrust into a deadly mystery among the powerful gods of Egypt.
The first female US President Sally Sheridan is shot dead by a sniper during her Veterans Day speech. Her assassin narrowly escapes the scene with his life, national security hot on his heels - or so it seems. Three months later, an elderly couple discover the body of a wounded man in a tree, wearing a parachute. The young man cannot remember the slightest thing about his own identity.
Meet Nastya, 29 years old, designer-architect, married. Five completely different inner selves get along in it. This is the inner child; the hostess responsible for the attacks of all general cleaning; the control-obsessed demanding parent; the goddess of pleasure and a self-confident, daring careerist. Each of them has their own interests and ideas about happiness. They cheat, argue and fight among themselves. But when Nastya simultaneously loses her job, husband and best friend, the five will face a difficult task. They will have to learn how to negotiate with each other and make compromises — all in order for Nastya to be able to say with confidence: "I love myself all!"
