When they're hired to recover the lost treasure of Columbus, married scuba divers Sebastian and Dani think they've hit the jackpot. But as they get closer to the fortune, the couple begins to suspect their employers have their own agenda. Hitting upon the real plan, the two come to the chilling realization that they may be expendable and that there's much more than riches at stake.
Several aspects of Ridley Scott's masterpiece Hannibal (2001) are examined through interviews with the cast and crew, and behind the scenes footage. We are even taken to two premieres and get to see some of the audience's reactions while they're watching the film.
At an exclusive, secluded North American ski resort up on Mount Rocky Summit, brutal slashing, severing and beheading on a group of teenagers are taking place and are believed to be the work of a mysterious skier dressed in black.
A teenage girl is plagued by bizarre occurrences and deaths related to her new home.
A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."
Many cast and crew interviews cue us in on the making of the film The Terminator (1984). From James Cameron's first concept to casting to practical effects, all this and much more is explored here to make us understand how hard it was for this idea to become a reality.
A man revisits the previous significant girlfriends in his life in order to win over the girl of his dreams.
Documentary attached to the 50th anniversary MGM Blu-ray collection of "West Side Story" (1961). Details how this successful stage production was reared and molded into a beautiful cinematic one. Deep-dives into Jerome Robbins' choreography and Leonard Bernstein's score-making processes.
Created as a companion documentary to the film "Valkyrie," this documentary details the true story behind the plot to assassinate Adolph Hitler.
Retrospective documentary on the making of the 1980 horror film "The Fog."
John Cork and his compatriots from the Ian Fleming Foundation, who have created outstanding documentaries for most of MGM's 007 DVDs, provide a fine overview of the life and times of James Bond's creator. Rather than using voice-over narrative, Cork and company tell this story entirely through the recollections of Fleming's family, friends and colleagues, combining new interviews with archival footage (including conversations with Fleming himself).
Documentary about the writing and recording of Quincy Jones' score for Norman Jewison's 1967 film IN THE HEAT OF THE NIGHT.
This is a documentary about the making of "Wings of Desire" (1987). The director, writer, actors, composer and other contributors speak at length and in detail about how the award-winning film was devised, cast, filmed, scored and edited.
Documents the casting process and development of characters for the movie Midnight Cowboy.
An appreciation of Dressed to Kill by Keith Gordon
Documentary featuring the contentious news surrounding the movie "Midnight Cowboy" (1969), including its Oscar win for feature film.
A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.
Nearly every major element of making the 1991 film Thelma & Louise is examined here from how the script was written to how Ridley Scott got involved, to how the big tanker explosion was pulled off. Some funny stories are shared and some great trivia as to what was improvised on set and actually left in the film.
Made in 2005, this documentary traces the history of NY, NY, beginning with the formation of the producing partnership between Irwin Winkler and Robert Chartoff. It was they who developed the initial script with writer Earl Rauch. Winkler met Scorsese at a screening of Mean Streets, and when Scorsese heard that Winkler was developing a script set in the "big band" era, he asked to read it. Winkler and Chartoff discuss casting, and Scorsese and Kovacs discuss the look of the film. Editor Tom Rolf notes the irony (some might say the injustice) that Minnelli, who brought Kander & Ebb into the project, did not have a hit with the title song, which wasn't even nominated for an Oscar. It didn't get noticed until two years later, when Frank Sinatra recorded it. Today most people probably don't realize it was written for a movie.
A disc jockey invites a relationship therapist as an on-air guest. They explore LA relationship struggles through three different callers' unbelievable stories, and in the process the DJ discovers his own love issues.
