TELEPACK

Mystery writer Kosaku Asahina scores yet another scoop in a case that occurred in the streets. He even personally conducts investigations and frequently makes these cases the basis for his own novels. It maybe because his late father was a scholar that he is cool, but brims with curiosity and action. One day, Kosaku is facing the computer in his living room and writing a new novel. The novel is based on the baffling case of a female who fell to her death in Setagaya in the past. Kosaku had personally conducted interviews and inspected the scene of her death, but still cannot get to the truth. Then a letter addressed to his father Konosuke who died more than 20 years ago, is delivered to Kosaku. The name of the sender is the female whose mysterious death from a fall, is the subject of Kosaku’s new novel.

For the past 15 years, Fuyukawa Misaki has lived a quiet, reclusive life while keeping her secret well-hidden. With just two months left before the statute of limitations on the murder of her colleague expires, a mysterious man appears in Misaki’s life, who says, “I know your secret.” Is he a friend or foe? The nameless man who claims to know about Misaki’s past does not reveal any personal information about himself, but only says he wants to live with her in exchange for keeping her secret. Hence, a bizarre living arrangement begins. Who is this man and what is his purpose? Meanwhile, conventional detective Kiba is convinced that Misaki is the elusive criminal behind the 15-year old murder case and is determined to uncover evidence to prove his theory. As this peculiar love-suspense drama unfolds, you will need to piece together information to solve the mysterious puzzle of murder while the clock counts down to the expiration deadline.

Based on the writings of a true life, vision-impaired lawyer comes a story about a blind man who manages to pass the extremely difficult bar exam and earn his lawyer’s license. Long desiring to help the weak, Kensuke Okochi gets a job at an attorney’s office while he and his wife, also blind, look forward to their first child. When a plaintiff in a divorce case decides to withdraw from litigation, Kensuke worries at first that it has to do with his own perceived inadequacies as a lawyer, but a few days later, he is visited by the female plaintiff, Satomi, showing injuries to her body. While it appears an open and shut case of domestic violence with an audio recording as proof, Kensuke detects a “certain scent” coming from the plaintiff which gives him pause as to her real intentions.

A family murder case that occurred in Hita City, Oita Prefecture. A murderer whose statute of limitations is about to expire is shown on TV, and detective Kiyoshi Atsumi heads to Tokyo, but... The upstart Keiju Kobayashi, his old friend Etsuko Ichihara, and Atsumi. The postwar experiences of three people who were tossed about by the war overlap. The screenplay by Satoru Hayasaka, the music by Kousuke Kanno, and above all, the performances of Atsumi and Ichihara make this a masterpiece in the history of TV dramas. A two-hour version was later created as an art festival award-winning work.

The TV movie is about a third-rate female lawyer who is an alcoholic, has a history of divorce, and only handles divorce settlements. She spends her days in a state of despondency, but when her estranged husband and daughter disappear, she embarks on a search, partly out of ambition.

A woman named Kazuko (Kimura) who was guilty of a “serious crime” in the past, along with three of her friends. Those friends suddenly begin to die one by one. Kazuko learns that one of those deaths is somehow connected to Mamoru (Nakamura Aoi), her younger brother from whom she has been separated ever since their father disappeared 15 years earlier. Although Mamoru knows nothing of his sister, Kazuko is determined to find the killer in order to protect Mamoru and herself.

The criminal library, dubbed the “Red Museum”, is a police facility that stores the investigation materials and evidence of major crimes where the statute of limitations has run out. Its director Saeko Hiiro is impassive and not good at communicating with people. One day, Satoshi Terada of the Tokyo Metropolitan Police Department’s First Investigative Division is assigned to be Saeko’s subordinate. Although he is bewildered by Saeko’s dispassionate demeanor, Terada starts to organize the data which is the primary responsibility of the museum. He encounters a traffic accident on the way to collect evidence. A truck has hit someone. When Terada rushes over, the victim utters the mysterious words “25 years ago... murder swap” and breathes his last. Once Saeko hears this, she declares a reinvestigation.

Based upon the novel by Minato Kanae. The story is about three women who all live in the same countryside town but who never interact with one another even though they are all tied by the same tragedy. While newly-unemployed Rika tries to get her ailing grandmother to take a needed surgery, she also struggles to come up with the money to pay for it. A mysterious benefactor known to her only as "K" might be able to help, but her grandmother is steadfast in telling her to decline it. As Rika searches for clues as to who this "K" is, she increasingly finds that she and two other women are linked not only by a tragedy but a chain of flowers as well.

A unique combination of social problem and entertainment TV movie about a female journalist who is hurt to the core when the truth of an article is questioned.

A human drama that rethinks what it means to be a family through the images of a couple, parent and child whose paths have crossed.

The lakeside at Lake Yamanaka is covered with snow. In the vacation house in such a quiet area owned by the chairman of Watsuji Seiyaku, one of the leading pharmaceutical companies in Japan, the tragedy suddenly breaks out. ”I have killed my granduncle!!” says Mako, who is loved by everybody in the Watsuji family. She has stabbed her granduncle, Yohei, to death. Soon after the domestic homicide, the entire family joining together in an attempt to make it look like a crime committed by somebody outside the family, begins to engage in imitative deception...