| Nav | Recorder: The Marion Stokes Project |
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| Sal | 2019 |
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| Genre | Documentary |
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| Welat | United States of America |
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| Studio | End Cue, Electric Chinoland, C41 |
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| Avdan | Michael Metelits, Marion Stokes |
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| Birîvebir | Matt Wolf (Director), Keiko Deguchi (Editor), Chris Dapkins (Director of Photography), Matt Mitchell (Director of Photography), Jesika Farkas (Production Design), Jaf Farkas (Art Direction) |
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| Keyword | media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, biopic, archivist, archiving |
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| Berdan | Apr 25, 2019 |
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| Runtime | 87 deqîqe |
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| Çêwe | HD |
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| IMDb | 6.70 / 10 ji 9 bikarhêneran |
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| Popularity | 2 |
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| Sermîyan | 0 |
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| Hatin | 0 |
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| Ziman | English |
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