Nikolaus Geyrhalter Filmproduktion

Although to the outside world he seems like the a perfectly normal insurance broker, Michael secretly keeps a 10-year-old boy, Wolfgang locked in a room in his soundproof basement.

18th century Vienna. Maria Theresia von Paradis, a gifted piano player and close friend of Mozart's, lost her eye-sight as a child. Desperate to cure their talented daughter, the Paradis entrust Maria to Dr. Mesmer, a forward-thinking-physician who gives her the care and attention that she requires. With the doctor's innovative techniques of magnetism, Maria slowly recovers her sight. But this miracle comes at a price as the woman progressively starts to lose her gift for music.

A champion marathoner leads a double life as a serial bank robber, sprinting between fixes (and away from police cavalcades) as many as three times a day.

Mira lives for the sport of ice hockey and leads her team as captain with a strong determination. It's a challenge to reconcile this with her role in the family vineyard: with her mother and her adventurous but increasingly demented grandfather, she runs the farm - with all its responsibilities. The new player Theresa completely unsettles her with her nonchalance and openness. And when Mira's missing brother Paul also turns up and all three get lost in late-night Vienna, Mira discovers the freedom it means to break rules, to reinvent herself - and that you can only love if you let go.

“This film documents an event that has never taken place…” With unprecedented access to the United Nations’ Office for Outer Space Affairs, leading space scientists and space agencies, The Visit explores humans’ first encounter with alien intelligent life and thereby humanity itself. “Our scenario begins with the arrival. Your arrival.”

A film about our garbage that is found in the most remote areas and about the people who try to dispose of it. Not only in the sea and on coasts, also in the Arctic, the jungle, high up on the mountains and deep inside the desert, garbage is found almost everywhere in various forms and dimensions, sometimes as whole car wrecks, old TV sets or simply construction rubble, but mostly in the form of disintegrated plastic particles a few millimetres in size. Humanity has handed out its visiting cards thoroughly.

The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

Brenner Pass, Alpine border, spring 2016: the Austrian government announces the construction of a border fence, expecting a shift of the refugee routes to Italy after the Balkan route is closed. The residents fear the fence just as much as the supposedly threatening influx of foreigners to their homeland. Two years later, the fence is still rolled up in a container, as the inrush of refugees never occurred.

HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial age, and what it means to be a human being. What will remain of our lives after we're gone? Empty spaces, ruins, cities, increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, now abandoned and decaying, gradually reclaimed by nature. Comprised of a succession of eerily depopulated, dystopian landscapes from across the world, HOMO SAPIENS offers an at once mesmerizing and chilling vision of what a posthuman future might look like.

Matthias leads a succesfull rent-a-friend agency but as soon as his girlfriend Sophia breaks up with him, his life spirals into absurd chaos.

Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.

To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Riding on their tuned-up bikes, Mati and her posse of male friends intimidate their neighborhood and harass the girls. In their village, they rule. But when her closest pal Sebastian falls in love with Mati and her enemy Carla unexpectedly turns into a friend, Mati is in danger of losing her standing among her male friends. Meanwhile Mati’s parents have a decision to make: What's more important, appearances or reality?

Feminism WTF is an international Topic Documentary on feminism and gender equality. The film reflects on current debates and analyses the potential of intersectional feminism to profoundly change our future societies.

Taking the demise of a textile factory in Austria’s Waldviertel region as its starting point, with the antiquated manufacturing plant initially shown in full operation, this film poses the question of what work means for people’s self-image and character. After the factory goes bankrupt and closes, the filmmaker accompanies some of its employees as they continue to make their way, questioning them about their daily routines, the circumstances in which they live, about looking for work or the new jobs they find. One woman’s situation is precarious, but that doesn’t prevent her from bringing up her grandchildren. Another woman works here and there, flexible and resourceful. One man blossoms visibly in his newly unemployed state. Bit by bit, different aspects of their private lives and personal misfortunes emerge.

After the catastrophe in 1986, a 30-km restricted zone was erected around the Chernobyl nuclear power plant, and 116,000 persons were evacuated from this area. Pripyat is a portrait of the people who still live and work there, and of those who have moved back. What is life like for these people, a life with the invisible and incomprehensible danger of radioactivity? How do they deal with the aftereffects of an accident which is claimed to be statistically improbable? Four protagonists tell their stories and provide a look at everyday life in “their“ zone.

Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.

With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.