A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...
The architect Sérgio Bernardes' vision of the future for Rio de Janeiro. Models and designs of airports, ports, and remodeled neighborhoods propose the creation of a vertical city for the urban problem and its transformation into an international center for commercial and
O Descobrimento do Brasil (The Discovery of Brazil) is an impressive historical epic recreating Álvares Cabral’s voyage to the New World in 1500, with a score especially written by the renowned composer, Heitor Villa-Lobos. One of the earliest examples of Brazilian cinema, this film depicts the perilous journey of Pedro Álvares Cabral’s armada from Portugal to Brazil. Though somewhat rudimentary compared to other films of the period, The Discovery of Brazil distinguishes itself with its scenes of indigenous people and Portuguese explorers on the beach, and in the imaginative lighting on board the ship. But the real star is the beautiful cantata by Villa-Lobos that permeates the film.
An adaptation of Machado de Assis' eponymous short story, preceded by a short telling of the author's life and works.
The arrival on Rio de Janeiro of the remains of the members of the Inconfidência Mineira movement, who fought from freedom in the late 1700's. The event was followed by statesman Getúlio Vargas, other politicians, military men and a large crowd
At the Rockefeller Foundation, the rat colony for experiments with viruses and antibodies in humans. In Ilha dos Macacos, next to the Oswaldo Cruz Institute, in Rio de Janeiro, the creation of Rhesus monkey by the Rockefeller Foundation - a primate species that allows the monitoring of experimental yellow fever.
Between captured images, animations and scientific descriptions, the puraquê electric fish is presented through the eyes of Humberto Mauro and Carlos Chagas Filho.
The film demonstrates all stages of production of the yellow fever vaccine that took place in the Yellow Fever Service laboratory of the Rockefeller Foundation, located in Manguinhos, Rio de Janeiro, next to the Oswaldo Cruz Institute.
Animations (only parts in nuclei in the film) and images, many of them archival and foreign, illustrate that the notion of time is associated with movement and its measurement is performed by the rotation of the Earth around its axis and the Sun. The angle of inclination of the Earth in this last movement also marks the climatic seasons. From the need for greater accuracy in measuring time, gnomons and solar quadrants arose, for whose reading the duodecimal numbering is used. Based on this numbering, time zones and mechanical measuring devices were established, illustrated by the clock mechanism with a church bell. The evolution of astronomy determines the creation of more accurate electronic devices for the evaluation of time, such as the meridian telescope, the Markowitz chamber, the electronic oscillators and the telescope, with which astronomers work at the National Observatory.
An amalgamation of accents and life experiences from different parts of Brazil reunited on the city of Brasília.
A cinematographic interpretation of a Casimiro de Abreu poem.
Aspects of the life of the Kamaiurá, an indigenous tribe that inhabits the Upper Xingu. The manioc-based food, the training with bow and arrow and the work carried out by the young Indian, the girls learn how to spin, and the boys develop the knowledge of the tribe with the shamans. An important rite is the Kuarup, which honors a great dead leader. The procedures for the rite: the decoration of tree trunks, the painting of bodies, the dance choreography, the physical confrontation between the Indians. Finally, the trunks are taken by children to the waters of the Xingu River.
