Unitelefilm

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

Documentary on Turin ten years after "Trevico-Torino", with the guidance of Diego Novelli, mayor of the city.

Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.

Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)

The film examines the death of the anarchist Giuseppe Pinelli, who fell from the fourth floor of the police headquarters in Milan December 15, 1969, after being stopped following the Piazza Fontana bombing.

This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.

A documentary about the birth of the palestinian liberation movement Al Fatah, lead by the young Yasser Arafat.

This documentary intends to contribute to the analysis of the drugs problem, by studying a huge district in a peripheral area of a large city: the Mirafiori South suburb of Turin, a vast ghetto where 15.000 people live in huge 9/10-storey buildings without any social services.

From Trevico in the province of Avellino, a young man arrives in Turin to work at Fiat. Once hired, he will face harsh experiences as an immigrant and a worker.

The film documents the wave of house occupations in Rome at the end of the 60s: the working-class residents of the borgate, left-wing priest Don Lutte, the tenants’ committee, who were in the orbit of the Communist Party, and the Comitato di Agitazione Borgate […].

The film documents the trade union battle of the workers of the Apollon printing house in Rome, occupied for a few months after the management decided to fire all the personnel and sell the land on which the factory was standing. In the form of a docu-fiction, the events of the long occupation are reconstructed, which began on June 4, 1967 and ended in December 1968. The workers play themselves and various other roles, but they are also co-authors of the film, which is not a simple chronicle of events, but an analytical reading of the reality of the factory, the story of the conquest of instruments of struggle and democracy, with the indication of strategies of attack on the bosses' power. The narrative voice of Gian Maria Volonté gives continuity to the story and comments on the events.