Spiritus Movens

Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis

Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.

In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.

A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.

The film follows the life of Mijo and his family in a poor Croatian village, during the turbulent years of World War II. The non-linear and elliptical plot gradually forms a clear picture that testifies to the eternal cycle of history and the impossibility of a real change in the Balkans.

Kick and Scream follows the final half-hour of a marriage. Through the perspectives of wife, husband and their six-year-old child, where reality is intertwined with puppet play, we learn about their own truths, becoming less certain of our initial judgment of character.

Three kids spend the summer days the usual way: hanging out, snapchatting... and playing with their newly discovered pet.

Divorced father Marko is hardly ever alone: he is surrounded on all sides by family, friends, co-workers and neighborhood fixers. Yet he is driven to the brink by limited contact with the one person he loves more than anyone – his daughter, who lives with her mother. When he starts the legal proceedings to get more time with his child, he enters the Kafkaesque world of a social-services system in meltdown. His fierce, paternal love for his child is both the source of his misery and his greatest joy.

When Slavko's old friend Djulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia & Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbors or even with local political bigwigs. Yet if he does not go, his wife will think he's a coward, the grieving family will never forgive him - and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.

An intimate drama in which the boundaries between subjective and objective realities intertwine. A mother spends a day at the pool with her daughter. After the child slips briefly out of sight, the the tranquil, blue water transforms into a whirlpool of fear.

For multiple generations from a small Bosnian mining town, the dark coal mine Breza is the fulfillment of professional dreams and a symbol of progress, as well as the cause of the biggest tragedy. Sakiba, an enthusiastic woman with strong opinions, stands tall among the majority male miners. She can’t get her head around division of jobs to ‘female’ and ‘male’, an opinion she has fought since she landed a miner’s job at the age of nineteen. Walking down the dark tunnels with loose safety regulations, she talks about appreciation for natural light and retirement, when she hopes to try some new mindfulness techniques her colleague reads about online. Sakiba was never welcome to drink along a male colleagues in a local bar when payday comes, but she ends up dancing to the beats of well-known Yugoslav rock band celebrating her hero.

Three women of different ages and backgrounds meet in the waiting room of an ophthalmologist’s office. Overhearing the conversation of the two older women, the young woman Sasha learns of the tragedy they experienced in the war. The indifference she felt towards them until that moment is replaced by a sense of closeness and connection. However, the chance to share this is irreversibly lost.

A documentary portrait of a group of people who had served in the Yugoslav National Army just a few years before the war in the ex-Yugoslavia started. They served a year on the island of Vis, at the time called “The Fortress of Adriatic” because of its strategic position and numerous military installations all over the island. Vis was one of the two Yugoslav islands that foreigners were forbidden to visit. In a very small military barracks on the edge of the island, far away from any civilization, bizarre things started to happen. Thirty years later, ten former soldiers from the same military barracks remember the events. They are of different nationalities – from Croatia, Serbia, Slovenia, to Montenegro – which will be at war with each other just a few years later. Their stories subtly reveal why it is no wonder that Yugoslavia as a country fell apart.

Vojin, a blind author of radio docudramas, invites protagonists of his shows to meet him at an isolated hotel in the off-season. He records conversations with them where he captures, with architectural precision, the ruins of their traumatic childhoods.