In Black Death era Tuscany, as in the Decameron, ten young Florentines take refuge from the plague. But instead of telling stories, they have lusty adventures, bawdy exchanges, romance, swordplay, randy nuns, Saracen pirates, and a sexy cow.
Returning home from a business trip to discover his wife missing, a man delves deeper and deeper into a surreal kaleidoscope of half-baked leads, seduction, deceit, and murder.
Gabriel Chevalier, 45 years old, is an ex-policeman. Unemployed, lonely and depressed,he lives like a ghost and hardly takes care of his only teenage child Juliette. One day, by pure chance, he finds a suspicious but extremely well paid job: his daily mission consists of delivering a briefcase exactly where he is told. The only rule being to never open it. These deliveries will bring him to meet weird people in strange places. Gradually, his cop instinct resurfaces...
Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?
An unnamed man narrates the downward trajectory of his life from beyond the grave, from delinquency to the string of fateful decisions and foolhardy moves that tied him inextricably to the opiate that was the elusive love of his life.
After ten years abroad, Catherine returns to Luxembourg, to catch up with her daughter Alba, brought up by Catherine’s mother Elisabeth. Alba is cold and distant with this stranger showing up unexpectedly in her life, so is Elisabeth, keen to keep her protégée to herself. One day, Catherine cannot take it anymore. She kidnaps Alba and takes her on a trip to a lake up North. Begins an unsettling journey into the puzzling world of motherly love, only to find out that sometimes the true opponent is yourself.
Based on the Japanese novel 'Loving the Dead' from acclaimed author Kei Oishi, the film centres on a damaged young man who, after shutting himself away for ten years, is forced to venture out into a world that he no longer understands.
This film does not deal with Chernobyl, but rather with the world of Chernobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.
After losing part of her memory, Maret, 44, sets out to find out who she used to be. She learns about the many different life paths she followed, in none of which anything was ever really achieved. A profoundly unhappy person in a never-ending, headlong rush. A doctor on the island of Lanzarote offers to put this restlessness to an end through brain surgery. A promise of peace and satisfaction. Will Maret proceed with the surgery that would take away part of her being - or not?
Karl Escher, the son of a prominent banker, was accused of embezzlement and forgery at the bank and went to prison for three years. After his release, he seeks revenge against his brother Franz, whom he believes to be the real culprit.
Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.
UNIVERSALOVE is a global love story. Six episodes in six different places of the world are told in a symbiosis of modern story-telling and popular music. UNIVERSALOVE is an experiment - a global love story. The interwoven storylines are located in Brooklyn, Rio de Janeiro, Tokyo, Belgrade, Marseille and Luxembourg. The laconic narrative style captures moments that set the viewer on a journey around the globe and deep into the emotional worlds of very different characters affiliated with different cultural spheres and languages.
A young woman has the idea of setting up her boyfriend with a very wealthy but sickly lady to claim her inheritance.
A young man can't quite commit to having sex with his girlfriend. Then he meets a mysterious lady in a local bar. Will his girlfriend find out? Will she care?
Franka and Greg, a French woman and an Irish man in their 50s get ready for their first date. They are anxious and try their best to hold their nerve. However, once they meet, things calm down, and an honest, vulnerable, and moving exchange of secrets, confessions and profound truths follows. They are clearly immensely compatible and a great match. But at the peek of their meeting, something changes.
The desert is calling. Yet, it is with the ocean that Fabrizio Maltese’s journey begins. He has accepted Abderrahmane Sissako’s invitation to continue the film he and Pol Cruchten had initiated together. Pol has since passed away. The project he had been dreaming of has thus taken on a new, symbolic dimension. It must see the light of day. This is why Fabrizio has traveled on his own to meet with the Mauritanian director. But fate seems to have decided otherwise. From Saint Louis in Senegal to Nouakchott in Mauritania, from Mata Moulana to Chinguetti, Fabrizio allows himself to get lost alone in the desert, with nothing more than a few scribbled notes jotted down on the piece of paper that was given to him by the two filmmakers.
