Jan Grarup lives a life in a state of emergency: As a war photographer, he often risks his life, while he back home in Copenhagen is a father of four. He suddenly finds himself the sole parent when his ex-wife falls seriously ill with cancer. His work in the urban war zone of Mosul, where Jan Grarup follows the advance of the Iraqi forces against Islamic State, must be balanced with his life as a father and sole provider.
Defence attorney Jane Fisher-Byrialsen is determined to put an end to interrogation techniques that pressure innocent people into false confessions. The film follows four of her cases and examines the psychological aspect of how people end up confessing to crimes they have not committed and the consequences of these confessions – for those accused, for their families, and for society at large.
A young man from Odense becomes a YouTube star with the channel ‘Ask Casper’. But where does the (self-)ironic staging end, and who is the real Casper when the webcam is off?
DON’T GIVE A FOX is a documentary about a group of young and wild girls in Roskilde, who, despite coming from completely different backgrounds, find a fellowship in skating. A place where they can forget their everyday life and gain courage to change a skate culture that has been dominated exclusively by boys for the past decades. DON’T GIVE A FOX follows three different girls in their early 20s, who each are seeking to gain a foothold. It’s a coming-of-age story about identity, love and skating.
In New Jersey, the Good Grief community focuses on a holistic way of dealing with grief, where children can give in to rage in ‘the volcano room,' and say goodbye to a dying teddy bear patient in ‘the hospital room.' Over the course of a year, we follow the weekly meetings and get close to Kimmy, Nicky, Peter, Nora, Nolan, and Mikayla and their close companion: grief. It is sometimes heartbreaking, but also humorous, to experience the questions about life and death through their open and curious minds. Grief is high and heavy as a mountain, but it helps you understand what has happened, and that death is irreversible.
Cannon Arm and the Arcade Quest is a deadly serious comedy, set in the world of arcade games and world records. It tells the story about the friendship between a group of unlikely heroes and peculiar world class gamers, who - on a backdrop of loss and longing - has set out to do what no one has ever done before: play the arcade game Gyruss non stop for 100 hours.
Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.
A Danish family travels to Brazil to say goodbye to their mother, who passed away six years ago. But things don't quite go according to plan. Can the father and the two adult sisters reach each other and talk about loss, life and death?
Following the process of a visionary project that combines waste management and infrastructure with spectacular architecture and a recreational urban space. Bjarke Ingels’ prestigious project Amager Hill - the waste-to-energy plant with a ski slope on top.
In China more people are on death row than the rest of the world combined. The children of the convicts are often left alone, stigmatized and living in the streets. Grandma Zhang, as the kids call her, is a former prison guard who has founded an orphanage in Nanzhao.
After a fifteen-year absence, Farah returns to Lebanon to live with her ageing father. There, the two try to find a common language that will allow them to have one last conversation. Ultimately, that language will turn out to be the only one he understands: poetry. As the sounds of revolution echo outside, Farah Kassem creates a deeply moving work, an intimate yet open portrait of her country in crisis.
What would you like to see if you couldn’t see any more? A blind mother and her seven-year-old son teach each other how to navigate the world as his vision slowly fades and a new life awaits.
