Sampaguita Pictures
Dalagang Ilocana 1954
A funny poignant film about an Ilocana maiden.
Kalabog en Bosyo 1959
Together again for laughs, the nation’s top comedy duo at their craziest, funniest best.
Condemned 1958
Savage passions run wild - as violent as a condemned man on the loose.
Mga Kuwento ni Lola Basyang 1958
A 1958 Filipino fantasy film with four stories from the original "Mga Kuwento ni Lola Basyang" by Severino Reyes.
Amy, Susie and Tessie 1960
After arguing with their playboy father, teenage sisters Amy, Susie and Tessie decide it's time to become independent women. Once the girls realize they can support themselves, they open the door to a whole new world of adventure.
Ang Magsasampaguita 1939
We... Who Are Sexy! 1962
Seven effeminate brothers are forcibly enlisted by their father in the army to straighten them up and turn them into real men.
Tatay na si Bondying 1955
Paruparong Bukid 1958
Gigolo 1956
Virgilio 'Gil' Labrador has made women swoon and his latest victim, Doña Consuelo, has killed herself after discovering his duplicitous crime. Gil relies on his sidekick Bugart to aid in conning women, even their landlady...
Ang Sipag ay Yaman 1949
A story about a farmer and a young female teacher that just arrived from the metro.
Gabay ng Magulang 1939
Bituing Marikit 1937
Bye-bye na sa Daddy 1965
Ang Biyenang Hindi Tumatawa 1954
When a mother-in-law SCOLDS--that's ordinary, GOSSIPS--that's understandable, DESPAIRS--that's bearable. But when a mother-in-law just won't laugh--WHAT A MISFORTUNE.
Beautiful star 1957
A remake of Carlos Vander Tolosa’s original 1937 hit of the same name, which launched Sampaguita Pictures.
Memories of Our Love 1975
Molata 1999
In an idyllic surroundings amidst the rice terraces, young and care-free Ida has a wonderful life. But one night, a group of armed men charges into her home and kills her parents. Worse, these men conspire and accuse Ida of the murder of her folks. Years pass and Ida is on her way to national penitentiary. But a freak accident happens, and Ida manages to escape. Assuming a new identity, Ida who now goes by the name of Molata, returns to her village where people no longer recognize her. And using her body as a lure, she sets out to exact revenge.