Caliban Produções Cinematográficas

Built as a letter to JK in his centenary, the film shows what remained in the memory of Brazilians 26 years after his passing in a car accident in August 1976.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.

The story of João "Jango" Goulart, the Brazilian left-wing president deposed by the military.

Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.

Younger brother of Henfil and Betinho, Chico Mário became a great guitarist and discovered in music his way of expressing himself and looking at the world.

Silvio Tendler goes through his life remembering the movements he was part of during the brazilian dictatorship and his adherence to socialism.

The story, controversies, victories and defeats of Carlos Marighella, one of the leaders of the armed struggle against the military dictatorship in Brazil.

In the post-pandemic future of covid-19, will the centrality be the financial casino and the accumulation of wealth by an elite or a quality life for all, with less inequality? Did the minimal state show itself capable of serving the collective? How to guarantee life without social and labor rights? What model of society do we want to live in? The film addresses the dismantling of the concept of social welfare and makes us reflect on the incompatibility of neoliberalism with a humanist project of society.

The world post-World War II and its transformations; the utopias that were created and the barbarity that have marked it. The dismantling of the dreaming generation of 1968 and the creation of new prospects in a globalized world.

Vidigal, Rio de Janeiro. A woman is left desperate and hopeless after she is evicted from her house with her disabled son.

After impacting Brazil by showing the perverse consequences of the use of pesticides in O Veneno está na Mesa, director Sílvio Tendler presents the second film from a new perspective. Poison Is On The Table 2 updates and advances the approach to the current national agricultural model and its consequences for public health. The film presents agroecological experiments undertaken throughout Brazil, showing the existence of viable alternatives for the production of healthy foods, which respect nature, rural workers and consumers. With this documentary, comes the certainty that the country needs to take a stand in the face of the dilemma that presents itself: In which world do we want to live? The poisoned world of agribusiness or of freedom and agroecological diversity?

The daily lives of the Krahô Indians, who live in Palmas, Tocantins. The film portrays the culture of the clown Hotxuá and the Festa da Tora da Batata, the most important event of the tribe.

The film comes to show how we are eating poorly because of an agrarian model based on agribusiness. The danger is both for the workers, who manipulate the poisons, and for the entire population of the countryside and cities, who consume agricultural products with pesticides.