Canal+ Horizons

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

Roufa is an attractive young man, and that works out well for him because he is a practitioner of "bezness:" he's a sex-for-hire boy for the tourists who come to Tunisia. His girlfriend deeply resents his having sex with other women but doesn't seem much bothered that a rich German man he's been having sex with is hoping to sponsor him in Europe. She also has a hard time with his tendency to behave like any other Arab male around a woman, telling her how to take care of her business. As it turns out, she's got better sense than any of the men around her.

The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.

Wahid and his daughter Soufiya return to Tunisia after a long stay in West Africa.Wahid would like to transform Soufiya into a real Tunisian, a true daughter of their land, but the country has changed a lot in there absence.

A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.

In West Africa during the late 17th century, King Adanggaman leads a war against his neighboring tribes, ordering his soldiers to torch enemy villages, kill the elderly and capture the healthy tribesmen to sell to the European slave traders. When his village falls prey to one of Adanggaman's attacks, Ossei manages to escape, but his family is murdered except for his captured mother. Chasing after the soldiers in an effort to free her, Ossei is befriended by a fierce warrior named Naka.

A Westernized filmmaker, Issa, is a polygamist whose third wife Mimi is a doctor and high-profile health minister. Accustomed to a certain degree of empowerment and independence from her husband (deciding to stay in her own house instead of moving into his household), Mimi carries on a not-too-subtle affair with the married Abba, a fishmonger who sends her a tell-tale case of fish after each encounter as a token of his affection. Confronted by Issa with his suspicions of infidelity after he finds Abba in the courtyard, Mimi decides to file for divorce, a move that soon brings on a new set of complications, as relatives plead for reconciliation to avoid the shame, Issa's second wife increasingly resents the attention paid to Mimi, and Abba's wife begins to grow suspicious of Mimi's role in her husband's life.

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

Mythical story about a fishing village on the south coast of Senegal. Two men in the village are both in love with the same beautiful girl.

One of the most popular Lebanese films of the late 1990s, Around the Pink House is a story that explores the changing urban landscape of Beirut after the Civil War. La maison rose (the pink house) is an old mansion in Beirut where the Nawfal family found shelter during the Civil War. Unfortunately for them, their immediate environment is rapidly changing, as many of the old shell-ridden buildings are being torn down and replaced by new construction projects. When Mattar, the owner of the pink house, decides to sell it to make room for a large commercial centre, the residents of the neighbourhood become divided between the shopkeepers and businessmen in favour of a different kind of modernity.

Done in the style of an African folk tale, this film, a collaboration between European and African countries, is said to be among the most elaborate, high tech film in African film. Exquisitely photographed and filled with archetypal figures to create a poetic look at nature's revenge against those who would exploit her. It is set in the forest village of Amanha Lundju, a place where the birth of children is celebrated by the planting of a tree. The trees are considered spiritual twins. But for every tree planted, the rapacious state destroys many more for firewood and lumber.

Despite the difference in their upbringings and family lives, five young children become friends. Omar is in love with Yacine, a pretty, intelligent girl from a wealthy family. He decides to pen her a love letter, which ends up causing misunderstanding and a rift between him and his childhood love. Meanwhile, Demba falls in love with a beggar and they share 'secret' stares and tender touches in brief meetings each time. All the children seek advice from their mentor, who sells bicycle-rides at the beach-front. The innocence of childhood infatuation is cleverly layered over a troubled Senegal laboring under the strains of strike action and economic upheaval.

A female journalist becomes re-acquainted with an Algerian ex- colleague when she visits Beirut, and begins an affair with him.