COPAT (Coopérative de Production Audiovisuelle Théâtrale)

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

"At the end of the war, despite the loss of one of their two daughters at Auschwitz and with the vain hope of finding the other entrusted to the Carmelites, a dentist and his wife are trying at all costs to return to life. Perhaps the Promised Land will heal their sorrows ... "

"To invent a wife when you're single, and you want to seduce a young woman who claims to be attracted only to married men, you still have to lie. To make your new conquest believe that you live in the superb duplex that you keep during the holidays, you must always lie. For Serge, this cascade of lies will lead to new catastrophic fabrications, but also reveal astonishing truths. His professional and sentimental life will be turned upside down, dragging his best friends into its whirlwind. The only certainty of this story, is that WITHOUT LIE, nothing would have happened. "

A staging of Olivier Py's play "Illusions comiques" by himself.

Having defied the ban on Creon and offered a burial to Polynice, her treacherous homeland brother, Antigone is condemned to a slow death in a stone tomb, despite the interposition of Hémon, her fiance, the son of Creon . Nevertheless, Creon ends up following the advice of his diviner Tiresias and, fearing the wrath of the gods, buries Polynices with dignity. When he is about to free Antigone, the young woman had already hanged herself. Mad with pain, Hémon commits suicide by his side.

A staging of Paul Claudel's play "The Satin Slipper" by Olivier Py.

A staging of Olivier Py's play "Les Enfants de Saturne" by himself.