A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…
Mukhabbat, an Uzbek immigrant, works at a convenience store on the outskirts of Moscow. Just like the rest of the immigrants at the store, she is forced to work without getting paid and endure mental and physical abuse, until she overcomes her fear one day and takes her fate into her own hands.
A shabbily elegant old man, widowed and treated with matter-of-fact derision by his daughter and his tomboy granddaughter, begins to lose touch with the world.
The Mischievous Boy — "Shum bola", a film on the eponymous story of Gafur Gulyam about the adventures of a little boy, whose restless character makes him different people and life situations.
Since Fatima and Zuhra's brother did not come home one day, Fatima is worried and goes outside to look for him. Then, the street thugs kidnap and rape Fatima. Fatima commits suicide.
The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.
Based on an old Bukharan mythical tale from the 16th century.
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.
The 'super kelinchak' has found her place as a wife and mother yet is as feisty as the mother-in-law who taught her how to become the perfect daughter-in- law...
The events in Mahallada duv-duv gap occur in a mahalla — a traditional Uzbek neighborhood — in an old part of Tashkent at a time when big-scale construction works are taking place. The movie humorously depicts the relationships between traditional parents and their modern children.
Our four dear friends are about to graduate from school and start a big life. Khurshid is studying at a medical university, Hamdam is returning from the army, Jawahir is trying to earn money by pawning on the street, and Bakhtiyar is working under his father. They all still love Lola.
Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.
The sea vanished without any trace. Where the waves had once splashed, the bottom is cracked from the heat. Here, at the same depth, people stayed to live. An old fisherman, who is trying to escape from the past. The border guard, who changed his boat to jeep for patrol the state border. Former official, who because of other people's machinations, has lost everything - The sea is gone, but hope remains that it will return. And with it returns hope to find love for the neighbor .
The film tells the story of Anzirat, an elderly woman who lives in a small village in Soviet Uzbekistan with her son, daughter-in-law, and their ten children, all boys. Because of her strictness the villagers call Anzirat "Grandma-General". Back in the 1930s, Anzirat headed the main farm of the village and went through many hardships. Even when she gets old, Anzirat does not want to rest and cannot put up with the laziness, greed, and negligence of some of the villagers. She tries to put things in order for her family. Her son, however, instead of helping his pregnant wife spends all his spare time building a family football team. Only after Anzirat's death do the residents of the village realize how empty their village is without her. They feel that Anzirat was the conscience of their village.
One of the most pressing issues of our day - the fight against drugs based disorders and logical solution. Uzbek film between the peoples of the world is a global problem, a broader and deeper look sharp sense of his goals in front of him
A young doctor serving cotton growers goes to the city. On the highway, when trying to overtake a motorcade, the traffic police stops the car. The events that take place next are an accurate and witty model of a life permeated through and through with absurd relationships, ridiculous demands and inexplicable prohibitions...
The film follows the lives of four upper-class teenage boys in Tashkent, Uzbekistan including the shy son of a famous film director, a chubby cut-up, son of a rich and successful businessman, and a tough aspiring playwright who works after school to avoid his raging alcoholic of a father. The four all live in the same housing complex and go to the same high school, where they fall for a beautiful, tough-as-nails new female student. Within the exotic locale of Uzbekistan, the boys experience the usual "growing pains" as they fall in love, "borrow" the family car, work hard to earn extra money and have too much to drink. A funny, touching slice-of-life comedy-drama.
The main events of this film correspond to the autumn and winter months of 1952-1953. The heroes of the film are two fighters who serve at the highest levels of the State Security Ministry and become friends. "Churgoschin" was the nickname of one of them. This film talks about the situation in Uzbekistan on the eve of I.V. Stalin's death. One of the two warriors prefers death because he doesn't want harm to his brother.
Transformations in the human world and its evolution.
In the cities of Central Asia and Russia, the indomitable Fatima barrages , committing one crime after another . The Prosecutor's office investigator Pyotr Yerozhin gets in her way , not yet knowing how this investigation will be closely intertwined with his own fate.
