The future of Marguerite, a brilliant student in Mathematics at the prestigious Ecole Normale Supérieure, seems all planned out. The only woman from her year, Marguerite is finishing a thesis she has to present to an audience of researchers. On the big day, a mistake shakes all her certainties and all her foundations collapse.
Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.
After running away to try to find her father, Manon manages to free herself from this family bond and to rebuild herself in an unexpected way in order to reconnect with her dream: becoming a professional field hockey player.
The first documentary about the legendary mime Marcel Marceau. He inspired several generations of artists, including his grandson and his family, who shed new light on his life’s work.
Liv Sandor, 38, following an argument with her boyfriend, sets off to wander the city, observing passers-by and reminiscing about her past loves. In all her relationships, there was always a turning point, when things started going downhill. On the streets of Zurich Liv faces her fears, joys and demons. In her third feature film, Swiss director Anna Luif tells the tragi-comical trajectory of an independent woman who learns to love on life’s emotional rollercoaster. A rhythmic, colourful, collage-like journey into the mind and soul of modern women.
Saad, Thruben and Andrija are Swiss citizens and therefore liable for military service. The three officers proudly train to defend the country. But would they also go to war against their countries of origin?
At the age of 16, Alice was a victim of abuse. Fifty years later, this repressed experience unexpectedly makes its way back into her conscience. How is it possible to repress an incident for one’s entire life? How did it happen that she made films and wrote books always about children and violence? Alice walks with her accordion through the desert, searching for answers, looking at a phenomenon that affects many women in a similar or related way.
A documentary comprising a thirteen 360° panning shots that gradually reveal the environments and conditions in which wood is transported from Austria to Brazil.
Since 2013, the Central African Republic has been embroiled in a conflict between Christian and Muslim armed groups. While diamonds and gold are traded in global indifference, a cardinal and an imam fight together for interreligious coexistence.
Set between Hong Kong, London and Frankfurt, this is the intimate portrait of five women working in the highest spheres of finance. Regularly stigmatised as “dragon-women”, they reveal the survival mechanisms they use and the personal battles they fight in this ultra-patriarchal professional field where they represent a tiny minority.
In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.
Mr. Kuo and his wife Mrs. Lin cook for the city's sleepless. They work all night and sleep during the day, like many others in buzzing Taipei. Until one morning, riding back from the market, Mr. Kuo takes a different exit on the highway.
When death haunts a high school in a small town in the late 1990s, everyone is forever transformed. In this gentle, prismatic film, Samara returns to the town she fled as a teen to re-immerse herself in the memories still lurking there, in its spaces and within the dusty boxes of diaries, photos and VHS tapes. 1999 is not a ghost story, but the ghosts are palpable at every turn. The snow-covered streets, the school's hallways and lockers are preserved as in a dream. The absences left by the relentless teenage suicides still shimmer with questions, trauma and regret. Samara encounters people who are as breathtaking as they are heartbroken, and, finally, 16 years later, the community strengthens itself by sharing the long-silenced memories. Ultimately the film weaves together multiple voices in a collective essay on how grief is internalized-and how, as children, we so painfully learn to articulate our desire to stay alive.
