Yangon, Myanmar, in 2022, is in the midst of a civil war following the military coup on February 1, 2021. Mi-Thet, a young Burmese woman, works in a garment factory in Yangon, far from her native village. Wages have not been paid for the past two months, and a group of workers are leading a strike. But soon, the strikers are attacked by the henchmen of the military regime, leaving Mi-Thet terrified by her past trauma.
A woman tries to cling onto dimming links to her past after inheriting a pygmy slow loris from her long-estranged husband; meanwhile, her niece prepares for marriage as the young couple ponders their gloomy future together. The present and the complex echoes of Vietnamese history are entwined before a contemplative and poetic perspective.
An overbearing mother who lives with her son in a secluded crocodile farm spirals out of control when her son sees the outside world and falls for a girl for the first time.
It is winter in Damascus. Sana, with her eight-year-old son, is living alone while her husband works in Saudi Arabia. When Sana runs out of gas to cook or warm the house, she takes a day off to find a gas cylinder. From there begins a trip into the surroundings of Damas, where Sana finds herself brutally confronted with the effects of war.
18-year-old Nacho shows up at the cow-breeding ranch of his father, Marcos, whom he barely knows. His father is worried because, as the ranch’s yearly auction is approaching, several cows are dying without explanation. When Nacho finds out who is killing the cows and why, he understands the magnitude of the problem. Cornered by distress and confusion, he’ll have to choose: being a boss or not being a boss. Perpetuating the system, the insult, the abuse, or refusing to take part in it.
