One morning, Jessica Holland, a Scottish orchid farmer visiting her sister in Bogotá, is woken by a loud ‘bang’. This haunting sound dispels her sleep for days, calling into question her identity and guiding her from recording studios to secluded jungle villages in an attempt to find its source.
Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.
In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.
A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.
Min is an illegal Burmese immigrant living in Thailand who has contracted a mysterious painful rash covering his upper body. His girlfriend, Roong, and a middle-aged woman, Orn, take him to see a doctor. Min pretends that he cannot speak because he is not fluent in Thai and speaking would reveal him to be an illegal immigrant.
Amidst the post-economic crash, a man must return from abroad after his father committed suicide. After return home, he must confront his past and struggle to hold on to his present.
Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses a movie expressing the bonds between a vampire-like mother and daughter.
In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.
The first railway line in Thailand was inaugurated in 1893 – a sign of progress and prosperity. Shot over eight years on every active line of the country's railway system, this wondrous documentary offers an unprecedented immersion into the country's past and present.
Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's mother's garden. Commissioned by Dior; first presented at Musée de l’Orangerie, Jardin des Tuileries, Paris, to mark the opening of a new set of jewellery designed by Victoire de Castellane, 27 February 2007.
The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.
A film crew go in search of Nok Phii - a rare bird which feeds on the blood of other creatures.
Made for 3.11 A Sense of Home Films project, organised by the Nara IFF Organising Committee.
A group of people is in a boat traveling along Mekong River that stretches along the Thai-Laos border. They are running against the wind, anticipating a farewell. In the middle of the river, the lady head of the family casts the ashes off into the stream. The white dust merges with the muddy water. The boat makes a u-turn at the bridge that links two countries. The passengers are tired and start to drift off into their own world. The film disintegrates. The crew and the cast wander off in the river of simulation. The border links the worlds of the dead and of the living. The memory of an anonymous dead father lingers. The boat still moves on as the dusk arrives. Apichatpong and his crew traveled to Nong Khai, a small town near Mekong River, and recruited local villagers to participate in the project. For two days, the crew and cast reconstructed a fake ceremony and find a narrative.
Short for his website, kickthemachine.
A Thai band, Modern Dog, was invited to Nabua for the making of a music video for one of their songs, I’m Still Breathing. The teens are together in the village street and start to run, some of them kicking the smoking balls and throwing them into the moving crowd. The video is a celebration of exaltation and the release of tension, echoing Thailand’s political atmosphere.
