A tale of twin girls, Dóra and Lili, who are born in 1880 Budapest at the same moment Thomas Edison presents his electric lightbulb to the world. The sisters are soon orphaned and separated in childhood, and follow different paths: one grows up to be a naïvely idealistic, bomb-toting anarchist, the other a pampered, hedonistic courtesan. Their paths cross once again on the Orient Express on New Year's Eve 1899...
A seemingly idyllic lovers’ encounter reveals itself to be the start of a genderless figure’s surreal odyssey. A dystopian universe unfolds piece by piece as the character learns who they really are.
Frank, a HIV infected former Lufthansa steward, goes back to Rio from Germany with a film crew to look for Mario, a young man with whom he had a one night stand. Before Mario departed the morning after, he left a message scrawled in soap on the bathroom mirror: 'Welcome to the AIDS club'. Frank and his director hire a fast talking hustler named José (Guilherme di Padua) to help them to find Mario who seems alway to have just left whenever they arrive. Via Appia is the nickname of a Rio district where male prostitutes hang out...
A workout on the sun deck, a conga line in the dining hall, a photo shoot with the captain, or a beauty contest for all ages: fun around-the-clock is guaranteed on a cruise, while you float along with your hotel room. The sea-faring holiday fortresses have come into vogue and business is booming. In the towering ship’s wake, we are left behind with a hoard of digital memories and a cloud of exhaust fumes on the horizon.
Samir longs for love and struggles to find prospects in a land of limited opportunities. He believes in a better future far away.
Together filmmaker Nathalie and her friend Fabienne venture into a world of memories and forgetting: Fabienne to prepare for her departure from life and Nathalie in order to face it.
